tag:blogger.com,1999:blog-75513477256308893122024-03-13T19:05:46.848+00:00The Patient CenturionBegun as a story by story blog of my Journey Through the Whoniverse this is a Doctor Who review blog. If you haven't seen any of the stories then beware the dreaded SPOILERS. If you want detailed reviews this ain't the place. These are more spur of the moment instant judgements focusing on what gets my attention. I hope you like it. PS I am currently crowdfunding a Doctor Who book. You can find more about it here - https://unbound.com/books/time-and-space/PatientCenturionhttp://www.blogger.com/profile/14773954478753900864noreply@blogger.comBlogger366125tag:blogger.com,1999:blog-7551347725630889312.post-63559916966864939022022-09-14T14:42:00.007+01:002022-09-14T14:44:32.665+01:00A Doctor Who Frame of Mind<p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwIWUwVj9OJoxkGJdeEdpU_C3GXLgIg9Fhst3qYH8j9jHGoFKtT-XK12OkkvRSIQlYeBs13TsGor5pPNZYDg-4N_ZiOv4k_J63eFyP3-5TSlnzTi_pWX67kiYh4U5zeCfczsl5icu_HoDie5GmU2Y2ilruolNO-PVnbvQX7xQWK8_dYDFef1kOpcyS/s634/Clara%20and%20the%20Doctor.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="357" data-original-width="634" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwIWUwVj9OJoxkGJdeEdpU_C3GXLgIg9Fhst3qYH8j9jHGoFKtT-XK12OkkvRSIQlYeBs13TsGor5pPNZYDg-4N_ZiOv4k_J63eFyP3-5TSlnzTi_pWX67kiYh4U5zeCfczsl5icu_HoDie5GmU2Y2ilruolNO-PVnbvQX7xQWK8_dYDFef1kOpcyS/s320/Clara%20and%20the%20Doctor.jpg" width="320" /></a></div><p>I have been having a hard time loving Doctor Who recently, which for those of you that know me is something of a shock. Not the current era, but the whole damn Doctor Who thing and I was trying to work out why. This is a blog I have written to try and work it out myself. </p><p>I think it is because I've lost sight of the programme itself amongst the fog of fandom. Fandom is a complex thing. A portion of it is irredeemably toxic: racist, sexist, homophobic and, basically, appears to have learned nothing from watching Doctor Who itself. I wouldn't like these people if I met them. I despise everything they stand for and they probably wouldn't like me very much. Which is fine. Saves us all a lot of disappointment. </p><p>The rest of fandom is made up of too many different types of people to pin down but I don't find it as much fun as I used to. Doctor Who, for me, was a point of joy in the world. Yes, I like picking it apart afterwards and coming up with my own head canon, but that was all alongside actually watching, listening and reading Doctor Who. Recently I have been doing less of that. A lot less of that. </p><p>And I blame myself.</p><p>I came to fandom late. I was always a Doctor Who fan. My first memories of life include little bits of watching Tom Baker as Doctor Who in stories I was far too young to watch without being terrified. I was though mostly a solo fan. I knew one Doctor Who fan before I was 18. I knew about five before I was 40. I read fanzines and DWM. That was about it. A lot of 1989 to 2005 was me defending Doctor Who from a less impressed group of people. And myself for being a Doctor Who fan. I think that has impacted on my observations and interactions with fandom. I am quite defensive about Doctor Who. I try to be amusingly so, particularly about the more obvious things: "it's a kids series; it's rubbish; it's cheap; it's silly...etc etc." </p><p>I can criticise Doctor Who though. It's not always perfect. I've never found myself disliking an entire Doctor's run. Or an era. As far as I'm concerned every Doctor, every era has its ups and downs and, for me, the ups always outnumber the downs. There are some eras/seasons I love. Tom Baker will always be my favourite Doctor and Season 17 will always be my favourite season of Doctor Who.* So, I find the broad hostility to a whole era, the cynicism about motives and decisions, the desire by one group of fans to stomp all over the joy of other fans all a bit...depressing. </p><p>The reason I love Doctor Who - and I've thought about this a lot - is that it is overwhelming an optimistic and hopeful series. A light in the darkness. Doctor Who says there are monsters out there but there are people out there to fight them and that darkness can and will be defeated. And it will be done with wit and charm. </p><p>Seeing people get so angry about the Chibnall era to the point of monomania has just knocked the positivity out of me. I'm not saying by the way that the Chibnall era is great. I don't think I will ever love it, but I've enjoyed most of it and loved some of it. There are things there to be criticised. But I've found it difficult not to get a bit depressed by the whole thing, which has had a knock on effect on my love of Doctor Who as a whole.</p><p>Which is weird. I'm getting old so maybe I am too set in my ways. I know I'm taking it all too seriously. It is, after all, only a television programme. But it is a television programme that has been at the centre - well, centre-ish - of my life for...45 years. It is one of the things my friends know me for, even - especially - the ones who aren't Doctor Who fans. So, the weird feeling that of distance I have from the whole thing at the moment is...strange. </p><p>It doesn't seem to be as much fun as it used to be. </p><p>Perhaps I just need to watch a bunch of my favourite stories and talk about them to friends. It seems weird writing this because this is just a download of my personal feelings. I don't expect anyone to feel the same. </p><p>Anyway there you have it. Writing this might have helped.</p><p>Or not.</p><p><br /></p><p><br /></p><p>*Not necessarily the best but my favourite.</p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p>*Yes, I still think The Master was playing a game to keep the Third Doctor from getting too bored whilst he was in exile on Earth.</p>PatientCenturionhttp://www.blogger.com/profile/14773954478753900864noreply@blogger.com0tag:blogger.com,1999:blog-7551347725630889312.post-46302986844563172142022-06-08T12:06:00.004+01:002022-06-08T12:14:07.999+01:00Happy Birthday Colin Baker<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixTLaLGfBPWKYAROQ1IfWHtm31ZIeWB4Vt8mrcsyT6vsscwEjE9XQritcLaXS5oPf6_9MfWKPEe8CQIjvCvFjO9caEIxbjWFlvZDAdtagoazEEqnNp6btrQ-DanswPfKBX_l2g42LbTWHem_QzqVGNXLzhE4EI4qXOAP2_hM2bPOCF9yqV-3c9qydh/s275/Colin%20Baker.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="183" data-original-width="275" height="183" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixTLaLGfBPWKYAROQ1IfWHtm31ZIeWB4Vt8mrcsyT6vsscwEjE9XQritcLaXS5oPf6_9MfWKPEe8CQIjvCvFjO9caEIxbjWFlvZDAdtagoazEEqnNp6btrQ-DanswPfKBX_l2g42LbTWHem_QzqVGNXLzhE4EI4qXOAP2_hM2bPOCF9yqV-3c9qydh/s1600/Colin%20Baker.jpg" width="275" /></a></div><br /><p></p><p>It's Colin Baker's birthday today. </p><p>I thought I might take the opportunity to say a little bit about why I like Colin Baker's Sixth Doctor. Poor Colin gets a hard time. His Doctor is constantly near the bottom of favourite Doctor polls, much to Colin's own annoyance. His era is often seen as a low point in Doctor Who. </p><p>However, Colin Baker is the reason this blog exists. Colin Baker is the reason I'm a Doctor Who fan. I'd been watching Doctor Who since Season 15 but as Peter Davison's era crept towards its end I was 12/13 and other things were beginning to get my attention. I still watched Doctor Who but I was falling out of love with it a bit, which wasn't Peter Davison's fault. It was just life. </p><p>Also I didn't really know any other Doctor Who fans. We moved from Cornwall to Buckinghamshire around this time and I started a new school. There I met Rick, who it turned out was also a Doctor Who fan. It was Rick that told me there was a new Doctor coming and it was Rick that introduced me to fandom. </p><p>So, when the Colin Baker era started it was make or break really. If this wasn't good I suspect I would have faded away from Doctor Who. But I loved Colin Baker from the off. I didn't feel then some of the concerns I was to feel when I revisited the era later on. The Doctor's less likeable side was fine by me. I didn't even dislike the costume. It should be noted that I was probably still in that phase when all Doctor Who is good. It would take me a couple more years of reading DWB etc to discover that you weren't supposed to like Doctor Who if you were a Doctor Who fan. You were supposed to complain about it and compare it dismissively to previous eras when everything was great. I also learned from DWB etc that you could be really, really angry about Doctor Who not living up to you expectations. But thankfully fandom isn't like that any more. (Cough.)</p><p>Colin Baker was a great Doctor Who. He was and is a great ambassador for Doctor Who. He talks intelligently about the part and the series. He's also incredibly welcoming to fans, despite everything he's had to endure in terms of polls. I've met him several times. I've met him at official signings. I met him twice after seeing Doctor Who: The Ultimate Adventure stage plays where he was happy to sign autographs and chat, which was a bit of a contrast to Jon Pertwee. And then there was the time I met him in High Wycombe W H Smith's whilst buying a copy of DWM. I wanted to get his autograph but I didn't have a pen. The lady on the till wouldn't let me have a pen, but when I mentioned this to Colin he just said, "I'll get you a pen" and did. One signed copy of DWM later. My friend Rick also had a similar encounter with Colin in High Wycombe W H Smith's, although Rick had a pen. </p><p>The Colin Baker era is short, although you can enjoy much more of Colin Baker's Doctor on Big Finish. Indeed, I recommend that if you've not listened to any Big Finish before a good place to start would be <a href="https://www.bigfinish.com/releases/v/doctor-who-the-spectre-of-lanyon-moor-633">The Spectre of Lanyon Moor</a> which gives us the chance to see the Sixth Doctor meet the Brigadier. And if you've never watched a Sixth Doctor story then give Vengeance on Varos a go. It's a good taste of what he's capable of and it feels surprisingly relevant in 2022. </p><p>I still enjoy the Colin Baker era, although I struggle a bit with Mindwarp. But the cast seemed to have struggled with it too so that's my excuse. Even Timelash has its joyful moments. </p><p>I have often complained about the Sixth Doctor's costume, but over time I have grown to like it. It <b>is</b> the Sixth Doctor and whilst I've seen lovely alternative designs there's something missing from Colin's Doctor when he's not in his garish finery. </p><p>So, I just wanted to take a few moments to thank Colin Baker for being the Sixth Doctor. Yes, I know his acting career is broader than that but this is a Doctor Who blog so I'm concentrating on that. And thank him - blame him? - for turning me into the sort of person that writes 300,000-ish words of Doctor Who in a blog almost no one reads. </p><p>Happy Birthday Colin.</p><p><br /></p><p><br /></p><p>PS I'm currently crowd funding a Doctor Who book. You can find more about it <a href="https://unbound.com/books/time-and-space/">here</a></p><p><br /></p>PatientCenturionhttp://www.blogger.com/profile/14773954478753900864noreply@blogger.com0tag:blogger.com,1999:blog-7551347725630889312.post-11065811070433879012022-05-31T11:24:00.001+01:002022-05-31T11:24:10.664+01:00Classic Doctor Who: Where To Start<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEje_XUNEYu6DP3Qf09WAw4ODarbYhkJLDLwSo96tNS_NrY6_xD8hS3Lbl4M51Bq9jTJLE6eGZ9W8HrCfDWM66-vuHi8U99-b2qv0zyHNoLS9S5g3jOI5Hb3W99okx2wZPCKIdgZSVztkIINbqHXYIfm3dMBtqnQ7rfPty2Hk5U-vQdMCMdPwhg6ibcf/s881/Season%2017.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="881" data-original-width="728" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEje_XUNEYu6DP3Qf09WAw4ODarbYhkJLDLwSo96tNS_NrY6_xD8hS3Lbl4M51Bq9jTJLE6eGZ9W8HrCfDWM66-vuHi8U99-b2qv0zyHNoLS9S5g3jOI5Hb3W99okx2wZPCKIdgZSVztkIINbqHXYIfm3dMBtqnQ7rfPty2Hk5U-vQdMCMdPwhg6ibcf/s320/Season%2017.jpg" width="264" /></a></div><br /><p align="center" class="MsoNormal" style="text-align: center;"><span style="text-align: left;"><br /></span></p><p class="MsoNormal" style="text-align: justify;"><span style="text-align: left;">I originally wrote this for a friend of mine, Katie, and I've edited here to help as a guide to getting into Classic Doctor Who if you've never dipped in before. </span><span style="text-align: left;">I have put them in order of Doctor and broadcast. You do not
have to watch them in that order. </span></p><p class="MsoNormal" style="text-align: justify;"><span style="text-align: left;">As you almost certainly know Classic Doctor
Who stories usually consist of multiple 25-minute episodes. There is a bit of a
blip during the Colin Baker era when they go to 45-minutes for a season. * They
vary from 2-12** episodes in length.</span></p><p class="MsoNormal" style="text-align: justify;"><span style="text-align: left;">I have focused mainly on four part stories. These are meant to be testers so that you can decide what you like. Television is a very different beast during the Classic era than now, particularly the 60s, so there will be that to get used to, although I sometimes think I worry about this too much.</span></p><p class="MsoNormal" style="text-align: justify;"><span style="text-align: left;">I should also include a note on Missing Episodes. The BBC junked a lot of its film content in the 1970s to re-use the film. That means there are a number of 60s Doctor Who stories that are entirely or partially missing from the archive. Some of these have been animated. Others have not. All of them are available in audio. If, after you've watched the suggested examples here, you decide to watch all the Patrick Troughton era you'll find a lot of missing episodes. How you navigate those is up to you. I'd pick animations if they are available, then audio and then, if you can find them, reconstructions. Reconstructions are fan made versions of the episodes pulled together from surviving footage, photos and audio. But detail on both missing episodes and reconstructions are for another time and another blog.</span></p><p class="MsoNormal"><o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><b><u>The William Hartnell Era<o:p></o:p></u></b></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b>The Romans (4)<o:p></o:p></b></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b>The Time Meddler
(4)<o:p></o:p></b></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b>The War Machines
(4)<o:p></o:p></b></p>
<p class="MsoNormal">I have picked these three because they are only 4 episodes
long and they are all fun. The War Machines in the nearest Hartnell gets to
doing a New Doctor Who story. <o:p></o:p></p>
<p class="MsoNormal">If you enjoy those then go back to the first thirteen
episodes, which if The Daleks had not been such a success might have been all
the Doctor Who that was ever made. They are: <o:p></o:p></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b>An Unearthly Child
(4)<o:p></o:p></b></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b>The Daleks (7)<o:p></o:p></b></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b>The Edge of
Destruction (2)<o:p></o:p></b></p>
<p class="MsoNormal">The first episode of An Unearthly Child is magical. The
Daleks is long at 7 episodes but essential Doctor Who mythology and genuinely rather good. There is also
a film version of this with Peter Cushing as Doctor Who. That is fun to watch
when you get a moment but is totally different. <o:p></o:p></p>
<p class="MsoNormal">If you still like Hartnell after that everything else is
your oyster, but I’d hold off The Web Planet for a while because, although I
love it there is a lot of weird shit to overlook. <o:p></o:p></p>
<p class="MsoNormal"><b><u>The Patrick Troughton Era<o:p></o:p></u></b></p>
<p class="MsoNormal">The Troughton era has two problems for the newbie. There are
not many 4-part stories and a lot of it is missing because the BBC wiped the
films to re-use it and they have not been recovered so only 7 out of 21
Troughton stories exist in full. There are animated versions of some of them.<o:p></o:p></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b>The Tomb of the
Cybermen (4)<o:p></o:p></b></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b>The Enemy of the
World (6)<o:p></o:p></b></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b>The Mind Robber
(5)<o:p></o:p></b></p>
<p class="MsoNormal">If you like those then for a bigger challenge<o:p></o:p></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b>The Invasion (8)<o:p></o:p></b></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b>The War Games (10)<o:p></o:p></b></p>
<p class="MsoNormal">Both of which are long, but great. <o:p></o:p></p>
<p class="MsoNormal">If you then want to dip into an animation <o:p></o:p></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b>The Macra Terror
(4)<o:p></o:p></b></p>
<p class="MsoNormal"><b><u><o:p><span style="text-decoration: none;"> </span></o:p></u></b></p>
<p class="MsoNormal"><b><u>The Jon Pertwee Era<o:p></o:p></u></b></p>
<p class="MsoNormal">Doctor Who in colour for the first time. <o:p></o:p></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b>Spearhead from
Space (4)</b> ***<o:p></o:p></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b>The Curse of
Peladon (4)<o:p></o:p></b></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b>The Three Doctors
(4)<o:p></o:p></b></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b>Carnival of
Monsters (4)<o:p></o:p></b></p>
<p class="MsoNormal">If you like those then pretty much any other story will be
enjoyable. <o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><b><u>The Tom Baker Era<o:p></o:p></u></b></p>
<p class="MsoNormal">I am slightly biased here so I could pick loads. I would
almost recommend starting Classic Doctor Who here. <o:p></o:p></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b>The Ark in Space
(4)<o:p></o:p></b></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b>Genesis of the
Daleks (6)<o:p></o:p></b></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b>Terror of the
Zygons (4)<o:p></o:p></b></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b>The Robots of
Death (4)<o:p></o:p></b></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b>Horror of Fang
Rock (4)<o:p></o:p></b></p>
<p class="MsoNormal">If you like all those then Season 16, The Key to Time, is
worth watching from the beginning. It is unusual in Classic Doctor Who terms
for having a season long arc. But pretty much any Tom Baker is fun to watch.<o:p></o:p></p>
<p class="MsoNormal"><b><u>The Peter Davison Era<o:p></o:p></u></b></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b>Kinda (4)<o:p></o:p></b></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b>Snakedance (4) ****<o:p></o:p></b></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b>The Five Doctors
(1 x 90 Special)<o:p></o:p></b></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b>The Caves of
Androzani (4)<o:p></o:p></b></p>
<p class="MsoNormal">If you like those then the whole Davison era is pretty good.
<o:p></o:p></p>
<p class="MsoNormal"><b><u><o:p><span style="text-decoration: none;"> </span></o:p></u></b></p>
<p class="MsoNormal"><b><u>The Colin Baker Era<o:p></o:p></u></b></p>
<p class="MsoNormal">Poor Colin does not have a long era and one whole season is
The Trial of a Time Lord, which is four separate stories within a courtroom
element. <o:p></o:p></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b>Mark of the Rani
(2 x 45mins)<o:p></o:p></b></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b>Vengeance on Varos
(2 x 45mins)<o:p></o:p></b></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b>Revelation of the
Daleks (2 x 45mins)<o:p></o:p></b></p>
<p class="MsoNormal">If you like those then Trial of a Time Lord is yours to
enjoy. By that point you would have watched a huge chunk of Colin’s era so you should watch the rest. <o:p></o:p></p>
<p class="MsoNormal"><b><u><o:p><span style="text-decoration: none;"> </span></o:p></u></b></p>
<p class="MsoNormal"><b><u>The Sylvester McCoy Era<o:p></o:p></u></b></p>
<p class="MsoNormal">Again, Sylvester’s era is a short one, which is a shame as
after an initial blip the series started to get its act together again. If you like these then go back to Time and The Rani and watch the whole McCoy era. It is over</p><p class="MsoNormal"><b style="text-align: center;"><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span><span> </span>Remembrance of the
Daleks (4)</b></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b>The Happiness
Patrol (3)<o:p></o:p></b></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b>The Greatest Show
in the Galaxy (4)<o:p></o:p></b></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b>The Curse of
Fenric (4)<o:p></o:p></b></p>
<p class="MsoNormal"><b><u>Paul McGann<o:p></o:p></u></b></p>
<p class="MsoNormal">You have got the TV Movie and that is it. You could listen
to Big Finish, where he is fab, but that is a whole other kettle of worms. <o:p></o:p></p>
<p class="MsoNormal">There you go. There are my suggestions.</p><p class="MsoNormal"><br /></p><p class="MsoNormal">PS I'm currently crowd funding a Doctor Who book. You can find more about it <a href="https://unbound.com/books/time-and-space/">here</a></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><o:p> </o:p> </p>
<p class="MsoNormal">*The Peter Davison story Resurrection of the Daleks was a
blip as it was broadcast as two 45-minute episodes because of The Olympics.<o:p></o:p></p>
<p class="MsoNormal">** There is a single episode story called Mission to the
Unknown, which is a prequal episode to the epic 12-part story, The Dalek’s
Master Plan. It features none of the main cast or the TARDIS. It feels like a
pilot episode for a spin-off, which it was in a way. <o:p></o:p></p>
<p class="MsoNormal">***Spearhead from Space will remind you a lot of Rose. It is
basically the same story doing the same thing, but with less focus on the
companion.<o:p></o:p></p>
<p class="MsoNormal">****Kinda/Snakedance are linked so you want to watch them in
that order. <o:p></o:p></p>PatientCenturionhttp://www.blogger.com/profile/14773954478753900864noreply@blogger.com0tag:blogger.com,1999:blog-7551347725630889312.post-47815433931204775742022-05-25T15:46:00.005+01:002022-05-25T15:59:43.106+01:00It's A-Comin' : Season 22 The Special Edition Box Set<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAT07F9neFO3lofJVt4M8bk7eqmxz8XJgUav0cFRp9Y9kv9hOIAU-Oa4GgZYjMHKDkqedfZ5GVnKPTgDv88Imk4eiRspvCT2dLzspMi5iYMOngAWAAVkf8qhthhy5Pw0pcE7LnyaE0yKPdJaL90rYZ6FFRrrXS6DSJCAA6xm6jxSNvaCdtmgMxsrHY/s1088/Season%2022.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1088" data-original-width="921" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAT07F9neFO3lofJVt4M8bk7eqmxz8XJgUav0cFRp9Y9kv9hOIAU-Oa4GgZYjMHKDkqedfZ5GVnKPTgDv88Imk4eiRspvCT2dLzspMi5iYMOngAWAAVkf8qhthhy5Pw0pcE7LnyaE0yKPdJaL90rYZ6FFRrrXS6DSJCAA6xm6jxSNvaCdtmgMxsrHY/s320/Season%2022.jpg" width="271" /></a></div><br /><p></p><p><span style="font-family: arial;">We finally have a release date for the Season 22 Special Edition Box Set. It's June 25th (or at least it is on Amazon.) </span></p><p><span style="font-family: arial;">In case you don't know Season 22 is Colin Baker's first full season as The Doctor, having appeared in The Twin Dilemma at the end of Season 21 (which I still think wasn't the wisest decision JNT ever made.) It contains six stories - <a href="https://patientcenturion.blogspot.com/2011/11/attack-of-cybermen.html">Attack of the Cybermen</a>, <a href="https://patientcenturion.blogspot.com/2011/11/vengence-on-varos.html">Vengeance on Varos</a>, <a href="https://patientcenturion.blogspot.com/2011/11/mark-of-rani.html">The Mark of the Rani</a>, <a href="https://patientcenturion.blogspot.com/2011/11/two-doctors.html">The Two Doctors</a>, <a href="https://patientcenturion.blogspot.com/2011/11/timelash.html">Timelash</a> and <a href="https://patientcenturion.blogspot.com/2011/11/revelation-of-daleks.html">Revelation of the Daleks</a>. </span></p><p><span style="font-family: arial;">As well as a relatively new Doctor we also get a change of format. Instead of the traditional 4-6 part 25 minute episodes we get 2 45 minute episodes for each story, except The Two Doctors, which gets 3. It's an interesting change, although I'm not entirely convinced it works. </span></p><p><span style="font-family: arial;">Season 22 is important to me because it marks the moment I went from a person who watched Doctor Who to a Doctor Who fan. I'd been watching since the Tom Baker era but I really loved Colin Baker's take on the Doctor and I had a friend at school I could talk about Doctor Who with and he was more in the fandom loop. It was threw him that I took my first tentative steps into Doctor Who fandom: DWM, DWB and other fanzines. I got a taste of the gossip. And it was through DWB that I discovered that there were Doctor Who fans that didn't like Doctor Who very much, which is still an ongoing thing. </span></p><p><span style="font-family: arial;">The series got a lot of flak for being too grim and too violent and Eric Saward, the script editor certainly seemed less interested in telling traditional Doctor Who stories. You always got the impression that Eric Saward didn't like the character of the Doctor (and/or Colin Baker.) Interviews after his departure suggest Eric didn't think Colin was up to snuff, which Colin didn't know. We are about to enter one of the uglier periods in Doctor Who behind the scenes history. </span></p><p><span style="font-family: arial;">I didn't really notice at the time. I enjoyed all these stories to one degree or another. I loved The Two Doctors, where we got to see Patrick Troughton and Frazer Hines in all their glory and to start a whole Season 6B theory. </span></p><p><span style="font-family: arial;">I haven't re-watched a lot of these stories for a while but the last time I did they were a mixed bag. I'm afraid Timelash isn't a favourite and could probably have been cut down to 45 minutes. It features some of the oddest line readings in any Doctor Who story. I find the ending of Attack of the Cyberman needlessly bleak for a Doctor Who story. But I like Vengeance on Varos - which seems to have become more satirical over time rather than less - The Mark of the Rani, The Two Doctors and Revelation of the Daleks. The latter is one of my favourite Doctor Who stories, although it isn't perfect. </span></p><p><span style="font-family: arial;">The Box Set has another superb Lee Binding (@LeeBinding) cover. It might be my second favourite after the Season 17 one. These Special Edition sets are wonderful. They always come with shedloads of extras, including extended versions of episodes*, new special effects - in this case on Timelash - and Matthew Sweet's interviews with key figures. In this case Colin Baker, Nicola Bryant and Michael Grade. The latter should be fascinating considering Grade's role in bringing Doctor Who to an end. </span></p><p><span style="font-family: arial;">I'm looking forward to a re-re-re-re-re-re-re-watch of these stories and finding out more about what went on behind the scenes. It is also a chance to see that whatever the problems were with the Sixth's Doctors era of Doctor Who none of those problems were Colin Baker. I am always slightly defensive of Colin Baker's behalf. He gets a lot of flak, including from people who should know better, and his era is often unloved. But I enjoy it and Colin himself is a lovely man. </span></p><p><span style="font-family: arial;">So, it'll be well-worth buying imo. </span></p><p><span style="font-family: arial;">PS I am currently crowdfunding a Doctor Who book. You can find more about <a href="https://unbound.com/books/time-and-space/">here</a>.</span></p><p><span style="font-family: arial;"><br /></span></p><p><span style="font-family: arial;"><br /></span></p><p><span style="font-family: arial;">*Vengeance on Varos (1 & 2), The Two Doctors (1) and Revelation of the Daleks (1) on this Boxed Set.</span></p>PatientCenturionhttp://www.blogger.com/profile/14773954478753900864noreply@blogger.com0tag:blogger.com,1999:blog-7551347725630889312.post-78659410427677300742022-05-23T14:13:00.005+01:002022-05-23T14:14:12.896+01:00Something Old, Something New<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimSiIxTRVywF_6zKDGI7UuseT5Jt3Xn4ol8hwMqBXIkKcg7m7eM1__sMTRhCsgD9Npb4Gh9-rigzrigAOmNVE2pW7SD_CBEOPrWbMMFZ7CJqi_MQOPVoTiMgSl_4lDXBaUcdxsbhYKlw1x8JGlC-8jgc_l3Y36Nn-d5Jf-q2nO923r2eiJFEpTstpL/s1024/doctor-who-yasmin-finney-1024x538.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="538" data-original-width="1024" height="168" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimSiIxTRVywF_6zKDGI7UuseT5Jt3Xn4ol8hwMqBXIkKcg7m7eM1__sMTRhCsgD9Npb4Gh9-rigzrigAOmNVE2pW7SD_CBEOPrWbMMFZ7CJqi_MQOPVoTiMgSl_4lDXBaUcdxsbhYKlw1x8JGlC-8jgc_l3Y36Nn-d5Jf-q2nO923r2eiJFEpTstpL/s320/doctor-who-yasmin-finney-1024x538.jpg" width="320" /></a></div><p></p><p><br /></p><p>We've seen a few key announcements in the last couple of weeks as the RTD2 era begins filming. David Tennant and Catherine Tate are returning for the 60th Anniversary special. This was announced, it became clear, because they were going to be filming in Camden and everyone was going to know what was going on. </p><p>Looking at pictures from the set raises some interesting questions. The Tennant Doctor is in a new variation of his costume, but seems to have the 13th Doctor's TARDIS. There are rumours that this isn't the 10th Doctor but a 14th Doctor who has regenerated into David Tennant. Again. There are always rumours. </p><p>I suspect, unless RTD has decided - for reasons that passeth all understanding - that the 60th Anniversary should focus only on his period of Doctor Who, that there are more casting revelations to come. </p><p>It was also announced that Yasmin Finney will be part of that 60th Anniversary story as Rose. Like Tennant's costume the fact that she is called Rose has set cats amongst pigeons. Is she an alt-universe Rose Tyler? There are other theories but I want to avoid spoiling what might be coming for other people here. Yasmin Finney is the second trans actor to appear in Doctor Who, after Bethany Black, and the first to play a companion. If companion is the right word. She is currently in Heartstopper, which is a Netflix TV series based on Alice Osman's comic. I haven't watched Heartstopper* yet but it is a series with a global following and is a casting choice that will, I suspect bring new people to Doctor Who. </p><p>Which brings me to perhaps the most important piece of news. We have a new Doctor and his name is Ncuti Gatwa. Gatwa was born in Rwanda and bought up in Scotland. He is the first black actor to play the Doctor.** He too is currently in a popular Netflix series, Sex Education, which is another series I was intending to watch mainly - I must confess - because Gillian Anderson is in it. He seems, from the interviews I've seen, to be a lovely man full of enthusiasm for the part. I saw him as Demetrius in a fantastic production of A Midsummer Night's Dream at The Globe and he was pretty darn good in that so I'm pretty confident he'll be a good Doctor Who. </p><p>I've noticed that both these castings take actors from Netflix series that have a younger, global demographic. Both actors have huge followings on social media - Ncuti has c2.7m followers on Instagram and Yasmin has c.1.4m - which again I suspect gives Doctor Who access to a potentially new audience. There were some complaints about this being a deliberate attempt to ignore the "traditional" Doctor Who fan base but I think any Doctor Who showrunner who just wants to make Doctor Who for fans like me - 51 year-old men who think Tom Baker is still the best Doctor Who - then the series will die. It always needs to be changing and it always needs to be finding a new audience. </p><p>This also brings me on to another bunch of naysayers. The various bits of casting have annoyed the usual suspects who seem happy to accept a character can entirely change their appearance and personality in an instant but can't cope with the Doctor being a woman or black. I said, back when Jodie was cast, that there is no canon/continuity reason that the Doctor can't be any race or gender. (And at this point we can thank the Lord that Troughton didn't get his way when he suggested playing the Doctor blacked up and wearing a turban. A clear bonkers suggestion that probably would have helped make Doctor Who a programme that died a long time ago. Of embarrassment I suspect.) </p><p>Some time ago I wrote a blog - <a href="https://patientcenturion.blogspot.com/2014/08/telling-different-stories.html">Telling Different Stories</a> - that talked about how casting a women or a person of colour creates questions about the way The Doctor operates and how that might change what kind of stories it tells. One of my - several - disappointments with the Chibnall era is that it almost never really challenged how women are treated. I suspect, having listened to RTD, there will be a different approach. I'm quite excited to see what happens. </p><p>The one great thing about RTD is that he sells Doctor Who better than almost anyone. As someone who has worked in sales for decades RTD is a joy to listen to. He manages to convert his own love and enthusiasm for Doctor Who into a kind of enthusiasm vortex that sucks other people in. He also comes across as incredibly positive in general. I recommend listening to any decent interview with him to see that but if I was to pick one then I'd go for his appearance on <a href="https://www.bbc.co.uk/programmes/m0009zlq">Desert Island Discs</a></p><p>And we've still got Jodie Whittaker's final episode to come. The story that will be part of the BBC 100th Anniversary celebrations. The Chibnall/Whittaker era has been a divisive one. I'm excluding the NMD misogynists on principle. They have there own issues to deal with. But a lot of people whose opinions I respect have disliked it a lot. I have enjoyed a lot of it but I suspect it might end up being my least favourite era of new Doctor Who. There isn't space here to analyse all these reasons, but there will be a blog coming. Spoilers: it has nothing to do with either Jodie Whittaker or The Timeless Child. </p><p>So, this is a little catch-up blog for you all covering the news.</p><p>I'm excited for what is coming. I was initially a bit meh about the David Tennant announcement but then after it had settled I found myself genuinely interested to see where RTD is going to take Doctor Who in its 60th Anniversary Year.</p><p>Oh, and I'm re-watching all of Doctor Who (and spin-offs) with a view to having everything re-watched by the 60th Anniversary. Keep an eye out for updates etc. </p><p><br /></p><p>*I've read the comics though and loved it. I was planning to watch the series at some point. Yasmin Finney's casting might speed that up. </p><p>**I've seen people state he'll be the first gay man to play the Doctor too but I haven't seen that explicitly confirmed anywhere. The character he plays in Sex Education is gay. </p>PatientCenturionhttp://www.blogger.com/profile/14773954478753900864noreply@blogger.com0tag:blogger.com,1999:blog-7551347725630889312.post-44057799609614606132021-10-09T10:45:00.002+01:002021-10-09T10:45:45.987+01:00How Many Nimon...?<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSnO2RsCnYrCy3iweVCnYgFQa_EI5QwNoRvJ8n0DcE7hK6g_yCwspZvuvmNMtndQxd8J6QOJnyMYEX9bc9BgIH_q1N38piCsHmDXKkAFCcqDzL03XWjc4gCh8iVWbfZg4SmVgObHUQd3Y/s881/Season+17.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="881" data-original-width="728" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSnO2RsCnYrCy3iweVCnYgFQa_EI5QwNoRvJ8n0DcE7hK6g_yCwspZvuvmNMtndQxd8J6QOJnyMYEX9bc9BgIH_q1N38piCsHmDXKkAFCcqDzL03XWjc4gCh8iVWbfZg4SmVgObHUQd3Y/s320/Season+17.jpg" width="264" /></a></div><br /><p></p><p>Let joy be unconfined. The next Doctor Who The Collection will be Season 17. Now, the regular reader of this blog will be aware that I LOVE Season 17. It is my favourite Season of Doctor Who. I suspect it always will be. I have watched and re-watched every story several times. I have watched The Horns of Nimon a ridiculous amount of times. That is my comfort Doctor Who story.</p><p>Now, I admit that part of this is nostalgia. Season 17 was the first season where I remember watching every story - except Shada. Obviously. I was 8 years old when it was first broadcast. Indeed, if Shada had been broadcast one of its episodes would have gone out on my 9th Birthday. That is the perfect age. You don't notice the flaws - and Season 17 has many flaws - and you enjoy the fear and the fun. </p><p>My perception has always been that Season 17 is an unpopular series among fandom. It's too silly. It's too cheap. No one is taking it seriously, which is something that the Season 18 production team hammered on about. In the DWM 50th Anniversary poll (which had 241 stories on it) the Season 17 stories did not do well, except one.</p><p>Destiny of the Daleks was 154th, City of Death was 5th, Creature from the Pit was 211th, Nightmare of Eden was 190th and The Horns of Nimon was 223rd. Shada, for obvious reasons, wasn't rated.* That doesn't imply a great deal of love for Season 17. Except I got the impression yesterday that its reputation is now much improved. Possibly too much improved for some people. A Twitter conversation I had with James Cooray-Smith on Twitter, a man who knows much more about fandom than I do, felt that its reputation started to improve after 1992. I certainly think that the early deaths of both Graham Williams, the producer and Douglas Adams, who was Script Editor had an impact. Perhaps the series is now correctly rated (except by me, obviously.)</p><p>This new Collection also has bucket loads of extras: a Douglas Adams documentary, a Lalla Ward interview, new makings of, new DVD commentaries etc. I should pause here to say that Doctor Who fans are spoiled by these kinds of releases. The effort and love that goes into putting them together is far more than a lot of old television series get. The fact that it seems certain that every Season of Doctor Who will get this treatment eventually is astonishing. (My prediction is Season 1 will come in 2023 for the 60th Anniversary.) </p><p>But I don't want to react to the boxed set itself. I wanted to say a little about why I love Season 17. For me it is that the Fourth Doctor and Romana are out there in the Universe using wit, intelligence and sarcasm to defeat evil. Yes, sometimes it feels like they've let Tom Baker off the leash (or Tom has let himself off the leash) but I will take Tom Baker off the leash over a lot of other television. Season 17 also deals with the some heavy issues: The Nightmare of Eden has a plot about drug addiction at its centre for example that is incredibly bleak. </p><p>I think modern Doctor Who has a lot more in common with Season 17 than it looks (and not just City of Death.) It might not be as realistic but the balance of humour to terror is there even if the money spent on each season is vastly different.</p><p>Here's another thing. Season 17 also feels to me like the last fling of the 1970s before everything because so serious in the 1980s. The opposite of grimdark. I used to think that when Doctor Who came back I wanted it to be dark and grown-up. Because I was an adult I now wanted Doctor Who to be for adults. I was wrong about that. Now I want Doctor Who to be something that is more like Season 17. Not exactly the same, but with a similar joy and wit about it. Let our TARDIS team not be weighed down with guilt. Let's just have some fun.</p><p>I'm aware though that by writing that I'm showing that I know nothing. I remember watching an interview with Mark Gattiss, where he is talking to Richard Herring, when he said (and I paraphrase): "when I talk to people about what they'd like Doctor Who to be. They always want it to be like it was when they were 7 and it can't be." And that's what I'm doing here really. Wishing that it was 1978/1979 all over again.</p><p>Whatever. Let me put all sensible adulthood aside - as if I even live like a sensible adult - and say watch Season 17. It's fun. It's not perfect, but you'll have fun. Even if one of the creatures in it looks like a glowing green bollock. </p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p>*Actually, a brief note on Shada for those that don't know. Shada was going to be the 6 part finale to Season 17. However, due to a management lockout the story was never finished and for many reasons it was never re-mounted. Some footage was filmed, but it was never broadcast. It has had a long afterlife though. A version was released on VHS (with the script book included) and there have been several versions since, including animations. Oh, and there's an version where Paul McGann replaces Tom Baker that was made for BBC Digital. The DVD boxed set will feature another version, with improved animation and in six parts. I'm looking forward to it. It is the unfinished story that continues to regenerate. Will this be the last version? Who knows.</p><p><br /></p>PatientCenturionhttp://www.blogger.com/profile/14773954478753900864noreply@blogger.com0tag:blogger.com,1999:blog-7551347725630889312.post-3574883138038163012021-10-07T10:09:00.002+01:002021-10-07T10:09:51.185+01:00It's Only a TV Programme<p>Following my blog on Classic Doctor Who stories for Halloween I was asked on Twitter why I didn't include Image of the Fendahl. Well, it was partly because I didn't want the list to be entirely made up of Tom Baker era stories and partly because it wasn't a list of Doctor Who stories that genuinely terrified me as a child. If that had been the list then it would ALL be Tom Baker and it would absolutely have Image of the Fendahl on it. </p><p>Doctor Who scared me a lot as a child. I didn't hide behind the sofa. O, no I had a far more complicated way of dealing with my fear. I would pretend I needed to go to the loo. Then I would watch the story through the crack in the door, which I think I felt put sufficient distance/difficulty between me and the thing that was terrifying me. Once the scary bit was out of the way I'd come swanning back in. This tactic was completely obvious to my parents and became the subject of some mockery. If I stayed in my seat and got really scared my Mum would say to me, "Don't be scared. It's only a television programme." Whilst that might be true it never really felt just like a television programme.</p><p>When I watch stories that terrified me as a child now it seems ridiculous that it had that effect on me. One sequence in particular, which I'll talk about below, was such a disappointment when I re-watched it as an adult, even though it had stayed with me forever. </p><p>So, let's talk about Doctor Who stories that scared me as a child. These are all going to be Tom Baker stories. I was 4 when I watched the first story mentioned on this list. I was 9 (but almost 10) when we reached the last. After that I don't remember Doctor Who scaring me in the same way. It still worried me at times, but that was more the worry of thriller than horror. </p><p>Let us begin.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhR1_Yy-yKJePG3Mqf8VN9M_9qOQk54GDOig9vRY7HCVdeQSliip_mKN5Kmt7WV6enb_DqnW0MfZapcLPfpNP3cgGcCDxp54rOt8kdrArM5kUVCF9xquzrw-Qa2KPJx5xhSbprOFon4qIc/s976/zygons.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="549" data-original-width="976" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhR1_Yy-yKJePG3Mqf8VN9M_9qOQk54GDOig9vRY7HCVdeQSliip_mKN5Kmt7WV6enb_DqnW0MfZapcLPfpNP3cgGcCDxp54rOt8kdrArM5kUVCF9xquzrw-Qa2KPJx5xhSbprOFon4qIc/s320/zygons.jpg" width="320" /></a></div><br /><p>1. Terror of the Zygons: This whole story creeped me out but my most vivid memory, the one that scared me the most was the moment Sister Lamont turned into a Zygon. I remember it differently to how it actually happens in the story. My brain edits out Harry altogether and everything happens around Sarah Jane. Then theme tune. I never used to sympathise much with Mary Whitehouse about Doctor Who. I think being scared isn't a bad thing in and of itself but I do think she might have been right about how cliffhangers stay with a child. This story was broadcast 46 years ago but that cliffhanger is still in my head.</p><p>2. Planet of Evil: There's no specific sequence in Planet of Evil that scared me but the whole story seemed filled with menace to my 4 year-old self. Throughout the story you felt something awful was going to happen and it often did. And then the Doctor falls down a ruddy great hole. It doesn't sound scary but I was 4. It was bloody terrifying.</p><p>3. The Seeds of Doom: I have no memories of watching The Brain of Morbius, the story before this one. Morbius you'd think would have produced some terror of its own and it might well have done. But not enough to stay with me. The Seeds of Doom did though. There's moments throughout that have stuck with me. Perhaps it was because it was set on Earth and in the present day. Perhaps it was because it was realistically violent in a way a lot of Doctor Who isn't. It sometimes feels like a Doctor Who crossover with The Sweeney. Or an episode from a missing Euston Films TV series. But the most likely is that Elisabeth Sladen is so good at being scared and you get scared with her and for her. </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjP6OQZeKnwCdHSuaeNABb5TIraCgr7PkHeCIeqLPCglpVg1_NsLoIa4byAZzXd6MHnL3FRqXeaEnN4CkBWDv_Xa3lznmLbzWrOtczvR_Af8bD5MeQHC2TFT5oZvnr2y1Y87SET1EsTK6o/s600/Leela-VOC-The-Robots-of-Death-Doctor-Who-600x337.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="337" data-original-width="600" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjP6OQZeKnwCdHSuaeNABb5TIraCgr7PkHeCIeqLPCglpVg1_NsLoIa4byAZzXd6MHnL3FRqXeaEnN4CkBWDv_Xa3lznmLbzWrOtczvR_Af8bD5MeQHC2TFT5oZvnr2y1Y87SET1EsTK6o/s320/Leela-VOC-The-Robots-of-Death-Doctor-Who-600x337.jpg" width="320" /></a></div><p>4. The Robots of Death: This comes down to the how terrifying the beautifully designed, quietly spoken robots are when they kill people. They're implacable, but beautiful. The uncanny valley has never felt more uncanny. It's remorseless, the body count is huge and people you like die. The Robots of Death was gently terrifying.</p><p>5. The Talons of Weng-Chiang: Now is not the time to discuss the flaws of the Talons of Weng-Chiang. We here purely to talk about fear and this story terrified me. There is one sequence in particular which terrified me and which retrospectively seems ridiculous. But I was 6 at the time, which is my excuse. That sequence? When Leela is attacked by the Giant Rat in the sewer. Even now when I watch it and can see how ridiculous the Giant Rat costume is I get a little sting of fear. And, like The Seeds of Doom, I think this is because Louise Jameson sells Leela's fear so well. You are scared because Leela is scared. Leela screams, which she never did. I'm sure there is an argument that perhaps she shouldn't have screamed that it doesn't fit the character but even the strongest and bravest of us when pushed into a life or death situation might crack.</p><p>The next two are probably the two that scared me the most. </p><p>6. The Horror of Fang Rock: It's on my Halloween list. It's one of the great Tom Baker stories. Louise Jameson is wonderful in it but it absolutely terrified me at the time. The idea of being trapped with a monster that you couldn't tell was a monster because it could shapeshift made for some sleepless nights afterwards. This one is all about the atmosphere. It is, as I said in my Halloween blog, a tea-time slasher film. It didn't actually give me nightmares though unlike...</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZ3xokuJwoeUBrenGAV0fUTNEe8HHulyUodSXq6Q-gMoq5fn8Zr1FSz9mgrBLkY6CBcM1iOe8AeqA8dW0-OddSeR7hMmEb32tbEEDDFfkmN1hvv0gOBQEHHuclsmmZvmeOUQqeL9v2JMs/s720/Image+of+the+Fendahl.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="576" data-original-width="720" height="256" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZ3xokuJwoeUBrenGAV0fUTNEe8HHulyUodSXq6Q-gMoq5fn8Zr1FSz9mgrBLkY6CBcM1iOe8AeqA8dW0-OddSeR7hMmEb32tbEEDDFfkmN1hvv0gOBQEHHuclsmmZvmeOUQqeL9v2JMs/s320/Image+of+the+Fendahl.jpg" width="320" /></a></div><br /><p>7. Image of the Fendhal: This is probably the story that scared me more than any other so much so that I had nightmares following this story where I couldn't move. Whatever was chasing me had me frozen to the spot. I remember Fendhaleen haunting my dreams. I was 6. This was like watching an actual horror film. Again it is the quality of the performances that sell it, which is a key to Classic Doctor Who. It works a lot of the time because the actors are good at their jobs. Even those in small parts. It doesn't matter if the thing menacing you out of the dark is a foam rubber creation of the BBC if the actors facing to it act like it is the most horrifying thing they've ever seen. </p><p>8. The Stones of Blood: Again, looking back on this it seems ridiculous but this story freaked me out. The sequence with the campers in particular. It's interesting that I have no memories of the watching the second half of the story with its trial and sparkly judges. I do remember the first two episodes though and how scared I was on stones that walked and that moment where Romana is menaced by The Doctor on the cliff edge that doesn't quite make sense now. I never looked at a stone circle in quite the same light afterwards.</p><p>9. State of Decay: This is the last one. I was 9 when this was broadcast and by this point I was more aware of what Doctor Who was. But this story did its job. Perhaps it was the bats. Perhaps it was the obvious horror tropes. It was certainly the baroque Vampires who were the Three Who Rule and the Giant Vampire. The heart beat. Again it was the performances that sold you. Like a lot of these stories it seems weird looking back on it from my 50s. This though would also be the gateway to Hammer films. </p><p>There you are. The nine Doctor Who stories that scared me the most. What were yours? </p><p>And here's an obligatory plug for my Kickstarter campaign to raise money for my Unofficial Doctor Who Companion, <a href="https://www.kickstarter.com/projects/unbounders/across-time-and-space-an-unofficial-doctor-who-companion?ref=project_tweet "><b>Across Space and Time.</b></a></p><p><br /></p><p><br /></p>PatientCenturionhttp://www.blogger.com/profile/14773954478753900864noreply@blogger.com0tag:blogger.com,1999:blog-7551347725630889312.post-38517292540969582952021-10-05T12:09:00.005+01:002021-10-05T12:52:13.695+01:00Halloween Who<p>October is the spooky month. Season of ghosts and distant screams. I thought a list of the Classic Doctor Who stories most appropriate for that season. I've picked eight. There are haunted houses; folk Horror and Vampires (amongst other things.) </p><p>1. The Edge of Destruction: this two part story ends the original 13 episode block of the first season of Doctor Who. If things had gone badly this might have been the last Doctor Who story ever. It's weird, it's creepy and it only features the main cast: the First Doctor, Ian, Barbara and Susan. Something is inside the spaceship...or is it? The TARDIS crew under the pressure of events start to distrust one another. If you think of it as a haunted house story then I think it makes for a good spooky watch. </p><p>2. Fury from the Deep: the Patrick Troughton base under siege story par excellence. Lost, but now available fully animated on DVD, I remember that the first time I encountered this story was as a pirated copy on cassette. The copying of the copying of it hide much of the dialogue behind a layer of hiss like an aural fog. But somehow the creepiness of the story broke through and I like to think of this as the Doctor Who equivalent of John Carpenter's "The Fog." Let's call it "The Foam". In the words of Van Lutyens : "It's down there. In the darkness. In the pipeline. Waiting."</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMiezOl7Y9GhVid-TZaooTA8c-jXV9Q0YyHxHTxQUczujA_OBI7DNEQCaGxCuhtC6G-XzsxC3BIApoKl0OecZEomInJx-PGAI4Nsb4fnlS9BYUyjBlRbUUQZcYX7SWNDx2IxP_d85k_zM/s976/The+Daemons.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="549" data-original-width="976" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMiezOl7Y9GhVid-TZaooTA8c-jXV9Q0YyHxHTxQUczujA_OBI7DNEQCaGxCuhtC6G-XzsxC3BIApoKl0OecZEomInJx-PGAI4Nsb4fnlS9BYUyjBlRbUUQZcYX7SWNDx2IxP_d85k_zM/s320/The+Daemons.jpg" width="320" /></a></div><br /><p>3. The Daemons: This feels like a classic British horror film, but perhaps without the more gory aspects that a film might bring. An English village with its pub and Church becomes the centre of something strange and occult. There's an eccentric white witch and an existentialist Vicar, Mr. Magister. It's folk horror for tea-time telly. It is fondly remembered by the cast and everyone seems to be enjoying themselves. You could imagine this as a big screen Hammer film: Peter Cushing as The Doctor, Christopher Lee as Mr. Magister; Caroline Munro as Jo Grant and Andrew Keir as the Brigadier. </p><p>4. Pyramids of Mars: This era of Doctor Who is well-known for taking concepts from film and giving them a Doctor Who take. Robot gives us King Kong and the Brain of Morbius Frankenstein (and the Brain of Morbius could have very easily made this list, along with Terror of the Zygons.) I chose the Pyramids of Mars, which is Doctor Who taking on the tropes of The Mummy. It features one of the great vocal performances in Doctor Who history when Gabriel Woolf's take on Sutekh. The faux-Egyptian trapping and English country house setting give it all the right vibe for a spooky night's viewing. It is, at points, generally horrifying and brutal. </p><p>5. The Horror of Fang Rock: This would be my number one choice. We find ourselves trapped on a rocky island off the English coast in a lighthouse. Outside stalks a faceless killer. Or is it outside? Have we let it in? It's a slasher movie, but with a glowing green blob as the Freddy or Jason. The claustrophobic location, the gradually increasing body count and the quality of the performances make this one of my favourite stories. Tom is great in it, although apparently he was an utter pain in the arse on set, but Louise Jameson is the highlight for me. Plus, and here one has to admit to the effect of nostalgia, this story terrified me as a child. But seriously put this on, turn off the lights and it is, possibly, the perfect Halloween story. </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrU8OLgZ18hWlHH1NxywydTG8cItKV8suthX2nMg8J9RII_1tIC177PhQmbY32a5DOaluo6lO6NL0-2awE1zJ3P4jJPcXByaGT7VdAlsLfVPzM9qeY9SB0IlShluoEHxH3SD9hGXn_DUY/s600/State+of+Decay.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="359" data-original-width="600" height="191" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrU8OLgZ18hWlHH1NxywydTG8cItKV8suthX2nMg8J9RII_1tIC177PhQmbY32a5DOaluo6lO6NL0-2awE1zJ3P4jJPcXByaGT7VdAlsLfVPzM9qeY9SB0IlShluoEHxH3SD9hGXn_DUY/s320/State+of+Decay.jpg" width="320" /></a></div><p>6. State of Decay: Doctor Who does classic Vampires. But with added SF. I love this story. It has all the trappings of a Hammer Vampire film (something Lalla Ward would have been familiar with). The Three Who Rule are a joy. It has spooky castles, baroque clad Vampires, villages filled with wary peasants and blood. Yes, the Great Vampire isn't quite the sequence you'd like it to be but where else but Doctor Who would you see a giant Vampire staked through the heart by a space ship? </p><p>7. Frontios: This one might be the oddest choice but the centre of this story is dark. The atmosphere is fearful and frightening. It's played dead straight, which means in some ways it feels like Alien. The novelization makes more of the body horror at the centre of the story and yes, giant Woodlice are not the scariest of creations but it is a disturbing story. A planet that eats the dead. </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDX767fD_JXZzU87KQ533gyJKzdlac2a20ghr5_qGz9UrmbBzW-t4fMNIMRMqHO3X78NJU6GTsOcrKo8NP5Z4TU6iZqV6XU1XcOMbf6SCdH0ovHOTYZLNojpDdcY7bv5VOqKL9Jj2pq-k/s620/ghostlight1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="413" data-original-width="620" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDX767fD_JXZzU87KQ533gyJKzdlac2a20ghr5_qGz9UrmbBzW-t4fMNIMRMqHO3X78NJU6GTsOcrKo8NP5Z4TU6iZqV6XU1XcOMbf6SCdH0ovHOTYZLNojpDdcY7bv5VOqKL9Jj2pq-k/s320/ghostlight1.jpg" width="320" /></a></div><br /><p>8. Ghost Light: The Doctor Who haunted house story. The Doctor and Ace arrive at Gabriel Chase and something is not quite right. The atmosphere that pervades this story is perfect for Halloween. Of course, being Doctor Who what is going on isn't supernatural but extra-terrestrial. That still doesn't stop this having a proper Victorian ghost story feel about it. </p><p>9. The Curse of Fenric: Doctor Who takes another run at Vampires. Again, like Ghost Light this story is built on a foundation of creepiness. We have a base under siege. We have an isolated English location. We have a fog. We have Viking runes. We have a threat from the sea. The Fenric vampires are not the Hammer style Vampires of State of Decay, even if they draw on vampire mythology and superstition. For Halloween purposes it is perfect.</p><p>So, there you are. Nine classic Doctor Who stories to watch over Halloween.</p><p>If you like this blog I am crowd funding for my unofficial Doctor Who companion, Across Time and Space. You can go to <a href="https://t.co/Mr3haVuc9h?amp=1"><b>Kickstarter</b></a> and give it some support. Thanks.</p>PatientCenturionhttp://www.blogger.com/profile/14773954478753900864noreply@blogger.com0tag:blogger.com,1999:blog-7551347725630889312.post-48345214101644675242021-10-01T10:52:00.019+01:002021-10-01T11:01:40.224+01:00Doctor Who Things That Make Me Happy (Fan Led)<p>I am attempting to raise money for my book, Across Time and Space, an Unofficial Doctor Who companion via <a href="https://www.kickstarter.com/projects/unbounders/across-time-and-space-an-unofficial-doctor-who-companion?ref=project_tweet">Kickstarter</a> (it's 800+ pages covering Doctor Who from 1963 to the present day. It's a joy. Honestly.) That fundraising gives me an opportunity to give a 'shout out' to some of the other fan led Doctor Who projects that I love. So, below is a list. A starting point if you will. I've put Twitter accounts in where applicable. </p><p class="MsoNormal"><o:p></o:p></p>
<p class="MsoNormal">Perhaps the granddaddy of these is Big Finish (@bigfinish) They’ve been
making Doctor Who audio dramas of excellent quality since 1996 (although if
memory serves the first releases weren’t until 1998). So, during what I like to
call the Interregnum, that period between the end of Doctor Who in 1989 and its
return in 2005 (with the 1996 Paul McGann blip), they were one of the main
sources of new Doctor Who (alongside novels and DWM’s comic strip.) The quality
was excellent, and it gave older Doctors a chance to shine again. There’s Tom
Baker, Peter Davison, Sylvester McCoy, Paul McGann and recently Christopher
Eccleston but every era has been represented in some way. I love Big Finish’s
work and they’ve shown us how much we missed because Paul McGann only got one
(and a tad) TV adventures. But, for me, the way they’ve let us see how good
Colin Baker’s Doctor could have been if the BBC had cared a bit more at that
point is the highlight of the work they’ve done.<o:p></o:p></p>
<p class="MsoNormal">However, Big Finish must now be one of the largest producers
of audio drama in the UK (or the world) and I don’t just want to talk about the
more industrial scale successes.<o:p></o:p></p>
<p class="MsoNormal">Let me point you in the direction of Millie McKenzie
(@cowbearcreates) who makes Doctor Who figures from polymer clay. They’re
beautiful objects. They demonstrate the creativity of Doctor Who fandom and I
know own a mug featuring a picture of her Horns of Nimon figures. Because, as
you probably already know, I love The Horns of Nimon. You should follow her on
Twitter.<o:p></o:p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5gNMeyA6d7jXs4Z_BYeK71aFZVMiWaZn6G-HanOUD_6YGKmN3JIJjNy4dePmxv5GyQFYLNbu2FyHMs5g59lOfD9Xgz47UEG-jJVKQbmYPU0Ww0RAzjGWxfqDc9U5mCZGEQ1kUFunRC3s/s2048/Millie.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1280" data-original-width="2048" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5gNMeyA6d7jXs4Z_BYeK71aFZVMiWaZn6G-HanOUD_6YGKmN3JIJjNy4dePmxv5GyQFYLNbu2FyHMs5g59lOfD9Xgz47UEG-jJVKQbmYPU0Ww0RAzjGWxfqDc9U5mCZGEQ1kUFunRC3s/s320/Millie.jpg" width="320" /></a></div><br /><p class="MsoNormal">Which brings me to Clayton Hickman’s (@claytonhickman) ongoing
digital restoration and colourisation of old Doctor Who photographs. I’ve been
impressed with the work he’s recently done on old Radio Times covers. He also
has finds rarer and more interesting photographs from Doctor Who’s history.</p><p class="MsoNormal"><o:p></o:p></p>
<p class="MsoNormal">Also doing fab things with Doctor Who is Andydrewz
(@Andydrewz). Here’s a man who knows how to exploit photoshop to make
entertaining ‘what if’ Doctor Who items. They’re clever and funny, which makes
a change. Go to his Twitter to see annuals and merchandising that never was. <o:p></o:p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhN9eQZg_TrPU0jsZRkNWpqkLosIKgw0NMNrUdmEqqDYtBacxp6xjfdptI__FzQhmEQU_wJ6b-o7-KoQB17CwJsCMGZ00wK019zbT3OO2dXorKs8g66RHu8M0p3dV7FT7X4FcXnk2On0_Y/s992/FAkenEGXEAcWfGF.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="992" data-original-width="702" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhN9eQZg_TrPU0jsZRkNWpqkLosIKgw0NMNrUdmEqqDYtBacxp6xjfdptI__FzQhmEQU_wJ6b-o7-KoQB17CwJsCMGZ00wK019zbT3OO2dXorKs8g66RHu8M0p3dV7FT7X4FcXnk2On0_Y/s320/FAkenEGXEAcWfGF.jpg" width="226" /></a></div><br /><p class="MsoNormal"><br /></p>
<p class="MsoNormal">Then there’s podcasts. There are lots and lots of Doctor Who
podcasts out there. Each one takes its own take on things but two of my
favourites are Radio Free Skaro (@RadioFreeSkaro), which is three Canadians
(and occasional guests) covering all aspects of Doctor Who. Then there is
Verity (@VerityPodcast), which gives a voice to female Doctor Who fans. They’re
an intelligent bunch who have helped me open my mind to other ways of seeing
Doctor Who stories. As a bonus mention the is Lazy Doctor Who(@LazyDoctorWho),
which is a podcast working its way through Doctor Who in a…well…lazy way. It is
the creation of Steven (from Radio Free Skaro) and Erika (from Verity). They’re
doing something similar to what I’ve already done but at their own pace. I like
it both because it is smart but also because it has a gentle vibe to it that
makes it a joy to listen to. <o:p></o:p></p>
<p class="MsoNormal">Finally let me point you in the direction of the Black
Archive (@theblackarchive) These books are in-depth analysis of every Doctor Who story. They will
make a great companion to my book if you want to understand the background to
the stories in more detail. The best thing about the Black Archive is that they
don’t have an entirely set format. Writers can tackle the bits of a story
they’re most interested in, which makes them a fantastic resource. Highly
recommended.<o:p></o:p></p>
<p class="MsoNormal">Those are some of my choices. Oh, and a shout out to
@MrTARDIS who runs a Doctor Who YouTube channel. I’m slightly biased because
I’ve appeared on it but he’s also a positive chap, which I like in a Doctor Who
YouTube Channel. Plus a handful of things where I’ve got a little personal skin
in the game: the fanzine Terrible Zodin (@TerribleZodin) edited by Leslie
McMurtry. Fanzines were a really big thing when I first came into fandom but
technology has seen them gradually disappear replaced by podcasts and YouTube
Channels. Terrible Zodin is still out there (but the next issue is probably the
last). They’ve published some of my work and are friends of mine. Even allowing
for that it is a great read. <o:p></o:p></p>
<p class="MsoNormal">On a similar ‘people I know and have done stuff with on
occasion’ let me throw in @TinDogPodcast, @TheFlashingBlade podcast and
@LukeOverthinks (whose content is not all Doctor Who but with whom I’ve done a
couple of podcasts – a William Hartnell World Cup and a Sylvester McCoy World
Cup. <o:p></o:p></p>
<p class="MsoNormal">So, who have I missed? There’s a lot of content out there
that I’m sure to have missed. Throw me some suggestions, especially podcasts
and fanzines. Have I missed anyone really obvious?<o:p></o:p></p>PatientCenturionhttp://www.blogger.com/profile/14773954478753900864noreply@blogger.com0tag:blogger.com,1999:blog-7551347725630889312.post-9811370797519904282021-09-25T09:39:00.006+01:002021-09-25T09:42:52.328+01:00RTD - The Return<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_jYbGLE4LIt1WLURfgXX0nv74z8-7ehbMgJr7bvNi0e9D6goj2_T_syMmaPTtuKPLMF7yp6bBnkveZemhyphenhyphenZX2A8cf4NztkB5vDVR2HBDOwQHoIUUOWTbNDyOEPPNPQ6kOjQTOVYxkty0/s680/RTD2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="389" data-original-width="680" height="183" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_jYbGLE4LIt1WLURfgXX0nv74z8-7ehbMgJr7bvNi0e9D6goj2_T_syMmaPTtuKPLMF7yp6bBnkveZemhyphenhyphenZX2A8cf4NztkB5vDVR2HBDOwQHoIUUOWTbNDyOEPPNPQ6kOjQTOVYxkty0/s320/RTD2.jpg" width="320" /></a></div><br /><p></p><p>So, yesterday the BBC announced that Russell T Davies (hereafter RTD) would be returning to Doctor Who as showrunner. To quote the official Press Release: "Russell T Davies will make an explosive return to screens to celebrate the 60th Anniversary of Doctor Who in 2023, and series beyond." This deal isn't just RTD. The BBC are working with Bad Wolf to produce these new episodes, which means the return of Julie Gardner and Jane Trantor too. </p><p>This news set Twitter alight. It seemed to mostly be received with happiness. I did see one or two concerns about bringing back an old showrunner, but I think the BBC would certainly have wanted a safe pair of hands in place for the 60th Anniversary. </p><p>The Chibnall era of Doctor Who has been...divisive. As with all eras of Doctor Who to some degree or another. Someone always loves the Doctor Who you don't love and someone always dislikes the Doctor Who you love. It's an unwritten rule of Doctor Who fandom. Some of that dislike of Chibnall's era is based on the casting of a female Doctor. Not all of it. But a chunk of it. </p><p>My personal view of Chibnall's era is that I won't really know how I feel about it as a whole until it is over and in the past. I have, mostly, enjoyed it. I have said before you have to work very hard to make a Doctor Who story I don't like. But it isn't without its flaws. There's a little too much telling not showing. The Doctor is often a passive figure: The Timeless Children being particularly guilty of this. Not always, but perhaps a little too often. </p><p>I don't have a particular issue with the idea of pre-Hartnell Doctors. I've written elsewhere about how the Doctor we know now is not the Doctor played by William Hartnell. Change is a core part of the series. But the problem is that whenever you introduce a new element of mystery to the Doctor's origins you set yourself up to fail. Because either you have to leave it in the background to keep it mysterious or you have to close it down and then it is no longer a mystery. You make a rod for your own back.</p><p>I also think Chris Chibnall made a tactical error getting rid of the Christmas Day Specials. They kept Doctor Who front and centre in the British cultural calendar. I suspect Christmas Day Specials will return under RTD.</p><p>Now, I can never know what happens behind the scenes at the BBC - I'm sure some people out there do - but I also think Chibnall made an error by being too secretive. A new season of Doctor Who would come and go then we'd hear almost nothing until a little before hand. I think to keep Doctor Who front of mind - and particularly if you are going to be forced to have longer gaps between seasons - you need to drip information out there. I don't know Chris Chibnall but I got the impression that he wasn't entirely comfortable with being the public face of Doctor Who. But in 2021 a showrunner of Doctor Who has to be out there selling Doctor Who.</p><p>Which brings me to one of RTD's key strengths. We all know he is one of the great writer's of modern TV, but his love for Doctor Who shines and his personality - or the one he presents publicly* - helps sell Doctor Who. I suspect that will be one of the key differences we see. And who better to be out there front and centre for the 60th Anniversary? </p><p>The other thing is that I think RTD's Doctor Who of 2023 is not going to be a cut and paste version of his 2005 Doctor Who. TV has changed since then, Doctor Who has changed since then, British society has changed since then and RTD has changed since then. RTD is smart enough to know that. I suspect the two eras will have some things in common, but I think they will have differences too. I enjoyed RTD's era of Doctor Who a lot, but I think - to steal a joke from elsewhere - RTD2 will be different. I'm pretty confident it'll be good.</p><p>And, if nothing else, it was nice to see Doctor Who fandom having fun for a day. </p><p>*I have no idea what RTD is like in private. I've never met him. It's just that some people are good at projecting a personality in public that isn't what they're like in private. </p><p>If you like this blog I am current working with Unbound to crowdfund an 800 page Unofficial Guide to Doctor Who built on the foundations of this blog. <a href="https://t.co/QT6IpztFrT?amp=1">Here's</a> where you can pledge your support. Thank.</p>PatientCenturionhttp://www.blogger.com/profile/14773954478753900864noreply@blogger.com0tag:blogger.com,1999:blog-7551347725630889312.post-8613735218819375462021-09-21T10:39:00.004+01:002021-09-21T20:28:19.666+01:00And You May Find Yourself....<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMcrupVEhXjRWGR6TQvXKd0if7mwYL2lnp1Tx3DCuj_dkgSQTlRrnK6XZ-wKXjJ-IIjf1TetDnjzn8Vp3nPuGtrCODyjlUD68NM4wk42Hnbblb-cMICR_PkDqIXcYjMXfMEyPfVS-xXV4/s2048/BabyMe.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="2048" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMcrupVEhXjRWGR6TQvXKd0if7mwYL2lnp1Tx3DCuj_dkgSQTlRrnK6XZ-wKXjJ-IIjf1TetDnjzn8Vp3nPuGtrCODyjlUD68NM4wk42Hnbblb-cMICR_PkDqIXcYjMXfMEyPfVS-xXV4/s320/BabyMe.jpg" width="320" /></a></div><br /><p></p><p>So, how did I become a Doctor Who fan and how did I end up writing - roughly - 400,000 words about Doctor Who? As you can see from the photo above I'm old enough to have been born in black and white, although Doctor Who itself was in colour. Jon Pertwee was battling The Autons for the second time when I was born. I missed all that. Obviously.</p><p>However, my first memories of Doctor Who start in 1975, when I was 4. I have scattered memories of Season 13: the nurse turning into a Zygon; bits of Planet of Evil and a couple of memories of The Seeds of Doom.* I was scared a lot. I do sometimes question my Mum and Dad's decision to let me watch some of these things. </p><p>Season 14 I remember more of, particularly The Robots of Death and The Talons of Weng-Chiang. Leela is the first companion I have clear memories of. By this point I had developed a technique for dealing with fear. When Doctor Who reached a moment that I was too scared to watch I didn't hide behind the sofa. I pretended I needed to go to the toilet. Then I would stand outside and watch through the crack in the door. Everyone knew this was what I was doing and it became a standing joke.</p><p>Seasons 15 and 16 I remember a lot. I was 7/8 by this point. I loved Doctor Who at this point. Season 17 is the moment I remember everything. Season 17 is much maligned, but it is - and probably always will be - my favourite season of Doctor Who. I loved the fourth Doctor and Romana. They seemed to be having fun. Fun at the expense of the bad people. At that point I couldn't see the budget problems. Doctor Who was still scary. My Mum used to tell me, at moments of peak far, "it's only a television programme." But in the heat of the moment it never felt like that. I suspect 1979/1980 might be the most fun years of my childhood. We were living in Newquay, Cornwall. The sun always seemed to be shining, even when it obviously couldn't have been. Memory is a funny thing. We were outside a lot. School was fun. Yes, I said it. </p><p>Then in 1981 Tom Baker stopped being Doctor Who. Now, I vaguely knew there were other Doctors but Tom Baker had been Doctor Who for all of my life. (Or at least as far as I could remember.) Logopolis was a shock. I remember being sad that the Fourth Doctor had gone. I don't remember if I really liked the Fifth. I kept watching Doctor Who, but not quite with the same zeal as I had before. Or at least that's how I remember it. But, as John Nathan-Turner once said, "the memory cheats."</p><p>If there was ever a time I came close to not watching Doctor Who it was 1983/1984. I was 12/13. There were other things to occupy my attention. I still watched most of the time, but not all of the time and I was certainly not in fandom. We moved to Buckinghamshire and I went from a mixed Cornish comprehensive to an all boys Buckinghamshire Grammar School. I didn't like it. But because we'd moved to Buckinghamshire a year after I would have taken the 11+ when I got into Grammar School they had a class specifically for the kids that arrived a year late. There I met Rick. Rick was my conduit back into Doctor Who. He told me there was a new Doctor Who coming. Now, I must have still been talking about Doctor Who enough at this point for Rick and I to end up discussing it. </p><p>Enter the Sixth Doctor. Colin Baker's era is when I became a Doctor Who fan. If there is another era of Doctor Who coloured by nostalgia for me, it is Colin Baker's era. I loved it. Now, I can see lots of flaws in it. Then I didn't. I loved Colin's brash version of the Doctor. And gradually I fell back in love with Doctor Who. </p><p>So, I started reading DWM and then DWB. It was DWB that made me realise that, weirdly, there were Doctor Who fans that didn't like Doctor Who very much. It was at this point I also started buying - or getting for Christmas - Doctor Who VHS and books. I remember a trip to a bookshop around Christmas when my Nan told me to pick out some Target Books I'd not got and she'd take them away and wrap them up to give me on Christmas Day. I think Galaxy 4 was one of them. </p><p>This was all part of my exploration of Doctor Who's past. It is at this point that it is easy to turn into one of those grumpy old men that goes on about how young people today with access to downloads don't know they're born. The past is a different world. Official Doctor Who VHS releases were dripping out of the BBC but to watch older stories you usually had to dip into a world of unofficial VHS or C-90 cassette tapes. Sometimes these were fine. Sometimes they were sixth or seventh generation copies that you could barely watch. I have particularly fond memories of Rick and I watching a copy of The Mind of Evil where the audio was pretty good but the picture was awful. My Uncle walked in, watched for a couple of minutes and asked 'what the hell is this?' Or listening to cassette copies of William Hartnell stories where the sound was washed away through hiss and distortion. But it was exciting. All these new discoveries. </p><p>When Sylvester McCoy came along I was ready. I recorded them all on VHS so I could watch them over and over again. By the time I was off to University at Lancaster in 1989 Doctor Who fan was the most obvious part of my identity. I was writing off for autographs by this point so when I went off to University I took some of those and stuck them on my wall. I took my Target books and VHS. Not that I had anything to watch them on in my first year. Unless you rented a TV and video recorder from the Visual Tech department. </p><p>I remember doing that once to watch Terror of the Zygons and ending up with six or seven people in my room gathering to watch it. Most of whom I didn't know that well. The Skarasen got some good natured ribbing but everyone seemed to enjoy it.</p><p>By this point though Doctor Who was on its last legs. I loved the McCoy era but the BBC seemed to have given up on it and putting it on against Coronation Street was the kiss of death. I had good natured battles in the TV Room trying to watch it, but I always lost. </p><p>I put an ad in DWM at this point trying to gather a Lancaster and Morecambe Doctor Who society together. It worked. We had a few meetings. One of which, at the John O'Gaunt, the then editor of DWM John Freeman came along to and bought us some pages of the comic strip from the forthcoming Doctor Who Annual to look at. I suppose this is the point that I entered fandom proper. I have grown to love the social part of Doctor Who fandom, even when I'm failing once more to persuade a fellow fan that The Web Planet is absolutely brilliant. </p><p>By this point I also owned far too much Doctor Who stuff. I still do. </p><p>So time moves on. VHS is replaced by DVD and Blu-Ray. Then streaming and downloads. Paul McGann comes and goes. Then in 2005 they bring Doctor Who back. And it is brilliant. I felt that all my attempts to get my friends to love Doctor Who during its long absence were vindicated. Mainly because by that point a lot of them had kids who loved Doctor Who. I even had an ex-workmate on Facebook tell me I'd been right about Doctor Who all along. </p><p>I had reached a point by 2010 where I'd watched pretty much every episode of Doctor Who that then existed and for some reason I thought the time had come to do a full watch from An Unearthly Child to, well, wherever we were in 2010.</p><p>I watched Hartnell and Troughton. I was surprised by how much I loved the William Hartnell era. Watching it in order helped you get used to the rhythms and styles of 60s TV. Plus William Hartnell has some of Doctor Who most fabulous companions. Then I watched the first season of Jon Pertwee. And thought I'd blog about the whole season. </p><p>Then I decided I'd blog each story, which I did. Then I had to watch William Hartnell and Patrick Troughton all over again to add them to the blog, which is one of the reasons if you look at this blog it is so strangely ordered. </p><p>And so we arrive at the present day and <b>Across Time and Space</b>, which is my 800 page companion to Doctor Who - which you can support here - <a href="https://unbound.com/books/time-and-space/?utm_medium=AuthorSocial&utm_source=Author&utm_campaign=AcrossTime">Unbound</a></p><p>I hope you enjoyed my wonder through memory lane. There's lots I've missed out. Obviously. But I'd love to know your stories. </p><p><br /></p><p><a class="css-4rbku5 css-18t94o4 css-901oao css-16my406 r-1n1174f r-1loqt21 r-poiln3 r-bcqeeo r-qvutc0" dir="ltr" href="https://t.co/YAOKpIyrzO?amp=1" rel="noopener noreferrer" role="link" style="background-color: rgba(0, 0, 0, 0.03); border: 0px solid black; box-sizing: border-box; color: #1b95e0; cursor: pointer; display: inline; font-family: TwitterChirp, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Helvetica, Arial, sans-serif; font-size: 15px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; list-style: none; margin: 0px; min-width: 0px; overflow-wrap: break-word; padding: 0px; text-decoration-line: none; white-space: pre-wrap;" target="_blank"><span aria-hidden="true" class="css-901oao css-16my406 r-poiln3 r-hiw28u r-qvk6io r-bcqeeo r-qvutc0" color="inherit" style="border: 0px solid black; box-sizing: border-box; display: inline; font-family: inherit; font-size: 0px; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: 0px; margin: 0px; min-width: 0px; overflow-wrap: break-word; padding: 0px; white-space: inherit;">https:/</span></a></p><p>*All this time as a Doctor Who fan but I still have to spend time remembering whether the title of the Tom Baker story is The Seeds of Doom or The Seeds of Death. And the other way round. Why is that?</p>PatientCenturionhttp://www.blogger.com/profile/14773954478753900864noreply@blogger.com1tag:blogger.com,1999:blog-7551347725630889312.post-40321447556326577652021-09-20T11:49:00.003+01:002021-09-20T11:49:49.945+01:00My Purely Personal Top 10 New Doctor Who Stories<p>This was an interesting exercise. Partly because I realised that it screwed with my perceptions. I often think that the David Tennant era is my least favourite of New Doctor Who and yet three of my Top Ten come from that era. </p><p>I'm not sure my choices here as unusual - if that's the right word - as those of my Purely Personal Top Ten Classic Doctor Who stories. This is probably because I am not as immersed in New Doctor Who as Classic Doctor Who. The number of times I've re-watched New Doctor Who stories is usually a lot less than the number of times I've watched Classic Doctor Who. </p><p>These are not in broadcast order not 'worst to best' btw. </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg19Qvsk5v-f5tN-SyncnMloNUPHKEdgDokdjcTQjW2_6QCArgJUa7ed8lw-VJYQwBjYjCJk8Ti8_HcshERYrvu2REve5KjgReHw0pjYC37XvQx89sfWjdxwl_LR7DjPXT2KFP4yxrkW_o/s714/rosedalek.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="414" data-original-width="714" height="186" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg19Qvsk5v-f5tN-SyncnMloNUPHKEdgDokdjcTQjW2_6QCArgJUa7ed8lw-VJYQwBjYjCJk8Ti8_HcshERYrvu2REve5KjgReHw0pjYC37XvQx89sfWjdxwl_LR7DjPXT2KFP4yxrkW_o/s320/rosedalek.jpg" width="320" /></a></div><br /><p><b>Dalek </b>- by the time we reached this story Russell T Davies had already re-established Doctor Who as a TV hit. What Rob Shearman does with <b>Dalek</b> is make Daleks terrifying again. That on its own would probably have given it a place in this Top 10. What <b>Dalek</b> also does though is establish how damaged The Doctor has been by The Time War. There's a lot of talk about wanting to see what happened in the Time War, but we didn't need to because <b>Dalek </b>shows us all we need to know. It also plays to Christopher Eccleston's strengths.</p><p><b>The Empty Child/The Doctor Dances - </b>One of my favourite things about Russell T. Davies era of Doctor Who is how it manages to balance fear and humour. I think one of the most divisive elements of Doctor Who is humour. Or, should I say, how seriously things are being taken, especially performances. It is one of the criticisms of my favourite ever season of Classic Doctor Who, Season 17. <b>The Empty Child/The Doctor Dances </b>manages to be scary and funny. "Are you my Mummy?" becomes the new series' first catch phrase and the moment with the tape recorder genuinely freaked me out. Packed with great performances and with a proper happy ending. Plus it introduces us to Captain Jack. Fantastic!</p><p><b>Gridlock - </b>This I love because it is basically a brilliant tribute to The Doctor as a character and a TV series. The Doctor's refusal to give up when all seems lost is wonderful. Whether the fundamental premise makes sense or not I don't know but there's something majestic about the whole thing. The singing of Abide with Me makes me cry every time. The story also manages to nudge that season's arc along in a subtle way. </p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLPuhqtDP3PUWX318OYvBfCApv1tp5KcnJCmHK0_BNcqijfPEs35GspbJ9XGBF6e2s48Noxd9SrALcWBakT-17LMWkrZq-BMpMseWDF-heXJdRjUNyCeQY7C_IOOxwYHnqrO6C3vjekQo/s560/Gridlock.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="315" data-original-width="560" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLPuhqtDP3PUWX318OYvBfCApv1tp5KcnJCmHK0_BNcqijfPEs35GspbJ9XGBF6e2s48Noxd9SrALcWBakT-17LMWkrZq-BMpMseWDF-heXJdRjUNyCeQY7C_IOOxwYHnqrO6C3vjekQo/s320/Gridlock.jpg" width="320" /></a></div><p></p><p><b>Human Nature/Family of Blood</b> - This is probably the Doctor Who story that made me cry the most. I cry a lot but there is more than one scene in this story that reduces me to tears. I'd read Paul Cornell's New Adventure that this story is based on, but he managed to take that foundation and build on it. Packed with great guest performances and great speeches. It's creepy. It gives Freema Agyeman a chance to shine. David Tennant is astonishingly good as is Jessica Hynes. This is a story that shows you the downside of the Doctor's life. It's a story about love, loss and grief. The battle for the school foreshadows the horror of the real War that is on the horizon. </p><p><b>Midnight - </b>I was listening to Emmy Award winning actor and comedian Brett Goldstein's podcast <b>Films to Be Buried With</b>. He was talking to Russell T. Davies and Brett Goldstein talks about how fantastic <b>Midnight </b>is. You should listen to it. A story without much in the way of special effects it manages to be terrifying. Not just because of the monster that we never see but experience but what is shows us of human nature. Packed full of superb performances but kudos must go to Lesley Sharp. If you want proof of how brilliant a writer Russell T. Davies is - and if you don't know that by now anyway where have you been - this is the story to watch.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-eTZ-znlvr_hmHdzIyAmoiI8kHd9ipYo4w6Is29ZKOUDGx8vq8PNV9RNXpoO_c-J_dAP8J42WEOaszKgcremxoLGrIawz-FaQg0hyzWfgA5wchgzdSGKKMG6zG7_vWiKBOpXO3fi7GqM/s490/ThreeDoctorsTDOTD.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="308" data-original-width="490" height="201" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-eTZ-znlvr_hmHdzIyAmoiI8kHd9ipYo4w6Is29ZKOUDGx8vq8PNV9RNXpoO_c-J_dAP8J42WEOaszKgcremxoLGrIawz-FaQg0hyzWfgA5wchgzdSGKKMG6zG7_vWiKBOpXO3fi7GqM/s320/ThreeDoctorsTDOTD.jpg" width="320" /></a></div><p><b>The Day of the Doctor - </b>Weirdly though I love Matt Smith's take on the Doctor this was the only Matt Smith era story to make my Top 10 and even then it is a multi-Doctor story. There's a lot hovering near the Top 10. I might work out why that is one day. But back to <b>The Day of the Doctor</b>. This was an excellent way of marking the 50th Anniversary of Doctor Who without getting swamped by all the elements that Steven Moffat was trying to juggle. It managed to pay tribute to what had gone before whilst adding to The War Doctor to the mythos. It's not without some flaws. But what isn't? Matt Smith manages to hold everything together but the whole thing is a joy. Plus when the Caretaker appeared I might have cried. </p><p><b>Robot of Sherwood - </b>Here's the first story I've chosen that people reading this will be thinking: What!? What!!? I enjoyed <b>Robot of Sherwood</b> immensely. It was fun and it was funny. Yet it still managed to make a couple of interesting points about heroes and heroism. Yes, it isn't the most subtle of stories, but I loved it. And I've probably re-watched this more than almost any other New Doctor Who story because it brings me joy. And if that isn't the best reason to love a Doctor Who story I don't know what is. Plus Peter Capaldi and Jenna Coleman are great in it. </p><p><b>The Husbands of River Song - </b>A lot of why I enjoy this story is similar to why I like <b>Robot of Sherwood. </b>It's fun. Peter Capaldi and Alex Kingston are glorious in it. It's the perfect ending to the story of River Song. That last speech Peter Capaldi makes is brilliant and Capaldi plays it perfectly. I cried. It has the best "Hello Sweetie" of the entire series. We get introduced to Nardole for the first time. It's fun. For a while this was my favourite Doctor Who story of all time. Even thinking about it now makes me smile. I might even watch it tonight. </p><p><b>Heaven Sent </b>- A glorious piece of Doctor Who and a glorious piece of television full stop. Clever, creepy, moving and centred on a great performance by Peter Capaldi I watched this on broadcast, waited a short while and then watched it again on BBC iPlayer. Tom Baker is - and probably always will be - my favourite Doctor because there is a part of me that is always that 6 year-old kid but Capaldi is (possibly) his closest rival. This seems to be Steven Moffat's meditation on grief, which as you'll see when you read some of my other blogs is something Doctor Who often avoids talking about despite death being absolutely central to almost every single episode of Doctor Who.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh14usgbjSywei0llu_00xqHSblXbtamAIvVSa44HFJuNOrfIPUHcCJ5fIDF72cXuBVIBaTM7a6Bf1XP86b0jVyfJCvklkjUnzt-4cYqdwZ5AiSKJ_Fb0PDvWbg4WywhpmQASRQqqu2eDM/s700/3072.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="420" data-original-width="700" height="192" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh14usgbjSywei0llu_00xqHSblXbtamAIvVSa44HFJuNOrfIPUHcCJ5fIDF72cXuBVIBaTM7a6Bf1XP86b0jVyfJCvklkjUnzt-4cYqdwZ5AiSKJ_Fb0PDvWbg4WywhpmQASRQqqu2eDM/s320/3072.jpg" width="320" /></a></div><br /><p><b>The Haunting of Villa Diodati - </b>This is almost a Doctor Who story made purely to my specifications. I am a massive Mary Shelley fanboy.* I've been fascinated by that stay at the Villa Diodati ever since I first heard about it. I love Byron and Shelley's work even as I know that they were problematic men. Add a genuinely terrifying Cyberman - and I've been wanting that for years and years - we have a story that I adore. Jodie Whittaker is great. I've watched this a couple of times since. It even has Polidori in it, who often gets forgotten about in stories about the Villa Diodati. </p><p>So, there you have it. My Purely Personal Top 10 New Doctor Who stories. These lists have a habit of changing over time, but I think there's a few of these that will always be there or thereabouts. Who agrees? </p><p><br /></p><p><br /></p><p>*I recommend Fiona Sampson's "In Search of Mary Shelley" if you want a good introduction to her life and the many, many men who behave badly to her and around her. </p><p><br /><br /></p><p> </p>PatientCenturionhttp://www.blogger.com/profile/14773954478753900864noreply@blogger.com0tag:blogger.com,1999:blog-7551347725630889312.post-70931703873114832752020-06-15T10:04:00.000+01:002020-06-15T10:04:07.918+01:00Oxygen<br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMU5HZwrTN86RAn63Tr3REVMw42S0jXiFeYR54FLZGl-WP51gBEVxZczaBdoBElOWhh8uLe8TrNLA90l1TProiebQoQM7CdxEirB_bYpr8mADlzgKlCUwiIiu4Jgfr_ecS70HV5c7inpg/s1280/Oxygen.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMU5HZwrTN86RAn63Tr3REVMw42S0jXiFeYR54FLZGl-WP51gBEVxZczaBdoBElOWhh8uLe8TrNLA90l1TProiebQoQM7CdxEirB_bYpr8mADlzgKlCUwiIiu4Jgfr_ecS70HV5c7inpg/s320/Oxygen.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;"><br /></span></div><div class="separator" style="clear: both; text-align: left;">Well, that was delightfully tense and as political as Doctor Who gets. I mean it isn't subtle politics - capitalism is bad - but it is a nice political fable. It is also, kind of, The Wheel in Space or The Moonbase but without the Cyberman. Except 'The Suits' are Cybermen but with an irrelevant organic occupant. They're also a little stupider than Cybermen, but not by much. Or you can think of it as another spin on Zombies - and I'm tired of Zombies if truth be told. The dead stumbling and bumbling around killing the living, but this time not for sustenance but for business.</div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">Oxygen is that Doctor Who classic: the base under siege. And it is a good one too. Not spectacularly original but it ratchets up the tensions nicely adding risk upon risk. People die. People get injured. People live. </div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">Indeed, the pre-title sequence sets things up rather nicely. There's something bad going on out there in space. Then we slow it down and we're back with the Doctor who is talking about the risks of going into space to his students. Nardole is watching. The Doctor, Nardole says, is missing space and it worries Nardole a lot. Because The Doctor is going to do something stupid and leave the vault - and what is in the vault - unguarded.</div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">And lo, that is what the Doctor does. Tut. Tut.</div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">They follow a distress signal to a space station and a lot of unpleasantness follows. </div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">What I like in the early part of the story is that Bill Potts reacts like a normal human being when confronted by, let us say, a standing corpse in a spacesuit. She's freaked out by it. Sensibly she wants to get the hell out of there and go home. Nardole does too. The Doctor points out, in a nice little speech, that there are survivors and that they should be helped.</div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">The writer, Jamie Mathieson, does a good job of reducing the Doctor's options. He cuts him off from the TARDIS, destroys the sonic screwdriver, and - after he does something brave/stupid to save Bill - blinds him. But it takes more than that to stop the Doctor bringing down a nasty capitalist conspiracy. </div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">Our main cast is all excellent, as usual. I love Capaldi's take on the Doctor a lot and he's at his most endearingly arrogant in this story. Matt Lucas as Nardole does his job, as a sort of Jiminy Cricket conscience for the Doctor, well. Lucas doesn't just get to do the funny stuff, which he's good at. But the straight stuff too. But today I am saving most of my praise for Pearl Mackie as Bill Potts. Damn, she's good. She's got such energy and she's got the acting chops, which makes Bill Potts a breath of fresh air. I think she's the companion Peter Capaldi's Doctor has been waiting for.</div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">Charles Palmer's direction is pretty faultless too. He makes the best use of corridors, airlocks, and spacewalks that it is possible to make in a forty-five minutes Doctor Who story. We see a lot of corridors in Doctor Who. It is a running joke. But these ones look solid, claustrophobic, and lived in. Not white and over-lit. That all helps. Michael Pickwoad's production design is up to its usual standards. </div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">Also, I love that red light in the suit. Was that a nod to HAL from 2001 or am I, once again, reading too much into things.</div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">There's a nice little touch with the Bill and Nardole's reaction to Danh-Ren (Peter Caulfield). Danh-Ren is blue. Bright blue. In view of current events though I wonder if it isn't all a tad glib. But they've only got forty-five minutes and they're hammering at capitalism in this story. You can't do all the revolutions at once. </div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">The other survivors - played by Kieran Bew (Ivan), Justin Salinger (Tasker), Mimi Ndiweni (Abby) - are all good solid performances. </div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">I have two quibbles. The first is that the Doctor drops Abby and Ivan off at their company's Head Office to 'make a complaint.' This is an organization that has just killed 38 people. Why are they all so confident that they won't be murdered quietly and everything hushed up? The second is incredibly petty. When, at the end, the 'suits' are giving their oxygen to the survivors Ellie (Katie Brayban) - who we've seen earlier in the story being killed - gives her oxygen to Ivan. But when Ellie died her oxygen had almost run out. So, how much does that help Ivan? I know it doesn't matter a lot. It might be enough to get them through until their inside the TARDIS. But for some reason, it quibbled me. </div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">So, entertaining, tense, and a wee bit of politics without being spectacularly original. That'll do for now. </div><div class="separator" style="clear: both; text-align: left;"><br /></div><div><br /></div><div> </div><div><br /></div><div> </div>PatientCenturionhttp://www.blogger.com/profile/14773954478753900864noreply@blogger.com1tag:blogger.com,1999:blog-7551347725630889312.post-69851149890809192922020-05-03T13:54:00.000+01:002020-05-03T13:54:06.912+01:00Horns of Nimon - The Drinking Game<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlTQKXG0n5qSH0esYs0o8t1AJBqV6ZMpJpbDYSuhz8rdBFcJd3yS-fc2Z0pMD2_9LQzq5hjhUSYlzJBJe4E4jVrGEMeh60tBMVKdVibhfQjfJ_3a7u5Ihx0R9nfXgdtGUPeZFs3HPW40E/s1600/Horns+of+Nimon.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="400" data-original-width="600" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlTQKXG0n5qSH0esYs0o8t1AJBqV6ZMpJpbDYSuhz8rdBFcJd3yS-fc2Z0pMD2_9LQzq5hjhUSYlzJBJe4E4jVrGEMeh60tBMVKdVibhfQjfJ_3a7u5Ihx0R9nfXgdtGUPeZFs3HPW40E/s320/Horns+of+Nimon.jpg" width="320" /></a></div>
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If you follow me on Twitter (@Lokster71) you will know that on Monday May 4th at 19:00 (GMT) I will be doing a Horns of Nimon watch along. Now, I suspect it might end up just being me tweeting into the darkness but I don't mind as The Horns of Nimon is a thing of joy that I find regularly cheers me up. </div>
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Thanks to the editors of the excellent The Terrible Zodin Fanzine I have the rules below for The Horns of Nimon drinking game, which might help you enjoy proceedings. </div>
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So...</div>
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1) Every time the co-pilot says 'Weakling Scum' - Drink</div>
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2) Every time someone hides in plain sight - Drink</div>
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3) Every time Teka says to Seth, "You'll save us won't you" (or similar) - Drink</div>
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4) When the co-pilot's trousers split - Drink</div>
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5) When Soldeed says, 'You...you meddlesome hussy!' to Romana II - Drink</div>
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6) When Romana says, 'How many Nimon have you seen today?' - Drink</div>
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7) When Tom says, 'Well, I hope you get it in the right order' - Drink</div>
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8) Each time K9 fires his blaster - Drink</div>
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9) When Soldeed laughs maniacally - Drink</div>
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and finally</div>
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10) When Soldeed is dying you should drink for the length of time it takes him to actually stop laughing and die.</div>
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I hope you enjoy. And Remember to drink sensibly. </div>
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PatientCenturionhttp://www.blogger.com/profile/14773954478753900864noreply@blogger.com1tag:blogger.com,1999:blog-7551347725630889312.post-55475755678869625572020-02-18T08:05:00.002+00:002020-04-08T21:55:02.369+01:00Knock Knock<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTOd6PDEWFaut4YHAkfaHsfYJYp3K0wUASpFbrjByMmMbSSiW1TNZbABE8RS5ah9p2aB_AHVcH4KcappEJBkh5FmIeUYsoMz7ulpXGhQ-K2TQpi6WNHAp_-MAWKmUNAnGLqmRkZ04uFwg/s1600/Knock+Knock.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="413" data-original-width="620" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTOd6PDEWFaut4YHAkfaHsfYJYp3K0wUASpFbrjByMmMbSSiW1TNZbABE8RS5ah9p2aB_AHVcH4KcappEJBkh5FmIeUYsoMz7ulpXGhQ-K2TQpi6WNHAp_-MAWKmUNAnGLqmRkZ04uFwg/s320/Knock+Knock.jpg" width="320" /></a></div>
<br />
<div class="MsoNormal">
<span lang="EN-US" style="mso-ansi-language: EN-US;">Who’s
there? <o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><br /></span>
<span lang="EN-US" style="mso-ansi-language: EN-US;">Sorry, I
couldn’t help myself.<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><br /></span>
<span lang="EN-US" style="mso-ansi-language: EN-US;">SPOILERS
BTW<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><br /></span>
<span lang="EN-US" style="mso-ansi-language: EN-US;">Anyway, Knock
Knock is the fourth story of Series Ten. It’s written by Mike Bartlett and is
directed by Bill Anderson. It’s got David Suchet in it as The Landlord, which I
was so tempted to assume was a renegade Time Lord with low ambitions. It’s a
creepy house mystery. And it doesn’t quite do it for me. It’s not a bad story
by any stretch of the imagination. It’s entertaining enough, but it never quite
gets let off the scary lease enough to be a classic. <o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><br /></span>
<span lang="EN-US" style="mso-ansi-language: EN-US;">Indeed, it
reminded me a little of ‘The Horror of Fang Rock’, which terrified me as a child.
Perhaps forty years later – and we’re talking 1977 to 2017 here – there’s a six-year-old
pretending they need to go to the loo in order to escape the scary telly they’re
watching, but who isn’t scared enough not to still want to watch it through the
crack in the door. To the amusement of their Mum and Dad who saw through this
transparent tactic rather quickly. Perhaps that six-year-old will be reassured,
like I was, by their Mum saying ‘it’s not real, it’s just a TV programme.’ So,
judging the scariness levels of Doctor Who is probably not particularly objective.<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><br /></span>
<span lang="EN-US" style="mso-ansi-language: EN-US;">I did feel that the young people in this story were portrayed as a bit dense, which I suppose is a horror trope when you think about it, and Bill
was made a little less interesting. You know what would have been good? This as
a Doctor lite story. A story where Bill gets to be the Doctor without making a
Claraesque song and dance about it. Where – perhaps – she takes the loss of her
mother and reaches out The Landlord through that shared loss? Everything
has its time. <o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><br /></span>
<span lang="EN-US" style="mso-ansi-language: EN-US;">There are
some nice things in this story though. The fact that the Landlord was just a
small boy when all this began and that in the end, he crumbles back into that
state. It’s a little heartbreaking. I love David Suchet’s performance in this. Yes,
there are moments where he skates close to the line between nicely arch and ham,
but he never steps over it entirely and the last scenes were – for me –
genuinely upsetting. That poor little boy trying to avoid losing his Mum.
Instead, he’s made her a prisoner. Mariah Gale* does a rather fine job of making
Eliza more than just a monster of the week. There’s a real tenderness to the end
of their story. Everything ends. And that’s sad. <o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><br /></span>
<span lang="EN-US" style="mso-ansi-language: EN-US;">But I don’t
know I’ve got a lot more to say about this. I do like Capaldi – as usual. The insect
things look great but are a bit obviously CGI for my liking. Sometimes – and again
perhaps this is because I am an old man – I would like more practical effects. But,
for a one-off episode of Doctor Who perhaps that is asking too much. <o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><br /></span>
<span lang="EN-US" style="mso-ansi-language: EN-US;">I sometimes
wonder if when I review a Doctor Who story, I end up reviewing it based more on what I would like to have seen rather than the
actual episode itself. That I’m not being fair because I’ve got an idea of what
Doctor Who should be and that when the story doesn’t quite fit that it rubs
against my critical faculties (which is less painful than it sounds.) I try not
to do that, but I think that the paragraph above on ‘The Horror of Fang Rock’ is a
bit of a giveaway. I wanted The Horror of Fang Rock. This isn’t it. But it
is a reasonably effective, well-acted and well-directed tea-time horror story. And
that’s not too bad, is it? Not every Doctor Who story can be a classic after
all. <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><o:p> </o:p></span><span style="font-size: 11pt;">*Mariah
Gale was a rather fine Ophelia to David Tennant’s Hamlet. </span></div>
PatientCenturionhttp://www.blogger.com/profile/14773954478753900864noreply@blogger.com0tag:blogger.com,1999:blog-7551347725630889312.post-32750932749260200082020-02-17T08:28:00.000+00:002020-04-08T21:56:07.387+01:00Thin Ice<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGzFcDT94e5LkwPUKL094Jur6hUy7OIvr7QYUw3aeojuYCn5lTKI8nmTrOJtswg8GgxuAX-VBxLEQfwLD69r5Oz6GzvJtLoUK9kYpIYOmF3PGiAT4R_Jb-1pugjUHubYcG5IzYfP6Th1g/s1600/Thin+Ice.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="227" data-original-width="403" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGzFcDT94e5LkwPUKL094Jur6hUy7OIvr7QYUw3aeojuYCn5lTKI8nmTrOJtswg8GgxuAX-VBxLEQfwLD69r5Oz6GzvJtLoUK9kYpIYOmF3PGiAT4R_Jb-1pugjUHubYcG5IzYfP6Th1g/s320/Thin+Ice.jpg" width="320" /></a></div>
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UnhideWhenUsed="true" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
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<div class="MsoNormal">
<span lang="EN-US" style="mso-ansi-language: EN-US;">Thin Ice is
set on, under or about the River Thames in 1814. There is a Frost Fair taking
place. These were an actual thing back when the Little Ice Age meant that
British winters were a little more severe than they are now, so the Thames froze
over solidly enough to allow a fair to set up on its surface. <span style="mso-spacerun: yes;"> </span><o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="mso-ansi-language: EN-US;">This being
Doctor Who there is more to it than just weather. Things are going on. People
are being swallowed. This we see illustrated when a Dickensian street urchin –
is 1814 too early for Dickensian? It’s more Austen, isn’t it? Anyway, I ramble –
steals the Doctor’s sonic screwdriver. The chase ends with the recovery of the
screwdriver, but the death of the street urchin. The Doctor’s apparent lack of
remorse at this death leads to a rather well-acted and written confrontation
with Bill who has realized that perhaps the person she is traveling with isn’t
quite what he might appear to be. </span><br />
<span lang="EN-US" style="mso-ansi-language: EN-US;"><br /></span>
<span lang="EN-US" style="mso-ansi-language: EN-US;">It’s one of the two best scenes in the story.
It’s played superbly by Capaldi and Mackie. She’s in shock. She’s never seen
anyone die before and her pain morphs to anger. She asks about numbers. How
many people has the Doctor seen die? How many has he killed? And, of course, he
doesn’t know. And even if he did, I suspect he wouldn’t tell her because he’s
effectively a mass murderer. Even if those he kills deserve to die. And even
that might be moot in some cases. The Doctor’s response is to say that if he
didn’t get involved more people would die and that he doesn’t ‘have the luxury
of outrage.’<o:p></o:p></span><br />
<span lang="EN-US" style="mso-ansi-language: EN-US;"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="mso-ansi-language: EN-US;">Let’s skip
for the moment that he has shown his outrage before. I immediately thought of the
Fourth Doctor’s ‘But what’s it for!’ in ‘The Pirate Planet.’ However, the Doctor’s
outrage – and anger – I think is a colder thing than most. It’s displayed by
the way he will take apart the plans of the people that have driven him to outrage.
Indeed, I might argue that outrage is often the Doctor’s motivating force. It’s
just he doesn’t often need to express it out loud. For the Doctor outrage is
action. <o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="mso-ansi-language: EN-US;">The moment
is broken though and instead of this conversation being taken further we get
back to investigating what’s going on. And this it will turn out is
exploitative capitalism. Bill has flagged up earlier that slavery is still a
thing in 1814 – which it is in the British Empire but not in Britain itself at
this point. And it turns out that this is the story of slavery. Except instead
of human slaves we have one big fish whose poo turns out to be a rather useful
fuel for the factories of Lord Sutcliffe. The side effect of this is that the
big fish needs to be fed. And it hasn’t eaten enough for a while. Hence the
people disappearing. <o:p></o:p></span><br />
<span lang="EN-US" style="mso-ansi-language: EN-US;"><br /></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;">Lord Sutcliffe
(Nicholas Burns) is both the ugly face of capitalism and a racist. His response
to Bill is ugly in the extreme. And the Doctor punches him. Hard. I must admit
that I cheered at that point on the original watch. A Doctor who punches
racists is my kind of Doctor. I’m sure others feel it is yet another example of
Doctor Who being overwhelmed by political correctness. The thing is the punch is
followed by a short and rather lovely speech, which even Sutcliffe comments on revealing
his utter lack of compassion. Yes, Sutcliffe is a bit of a two-dimensional
baddie, but it is nice for the Doctor to come up against one of those every so
often. You know that he’s irredeemable and is doomed to an unpleasant end from
that moment. Nicholas Burns does a lovely job of making him feel like a sneer
in human form. <o:p></o:p></span><br />
<span lang="EN-US" style="mso-ansi-language: EN-US;"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="mso-ansi-language: EN-US;">Sutcliffe’s
plan is to basically blow up a load of dynamite, shatter the ice and feed his
incredible pooing fish a massive meal, which will keep him and his factories in
fuel for the foreseeable future. It’s a novel if unsubtle, plan. It fails. Naturally.
<o:p></o:p></span><br />
<span lang="EN-US" style="mso-ansi-language: EN-US;"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="mso-ansi-language: EN-US;">There’s a
moment, like that between the Doctor and Clara in ‘Kill the Moon’, where the
Doctor asks Bill to make the decision on what they do next and I’m not sure
this is something I like. He doesn’t do it all the time. It just seems to be
something he does when writers feel the need to ratchet up the tension a bit.
Either the Doctor serves at the pleasure of humanity all the time or he’s doing
his own thing. Now, I admit in both these cases he’s had time to think before deciding
but still, it just seems to go against the grain for me. <o:p></o:p></span><br />
<span lang="EN-US" style="mso-ansi-language: EN-US;"><br /></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;">It’s a nice
little story this. The setting is fun. There are some meaty scenes about big
issues and Capaldi and Mackie are rather brilliant. Again. Honestly, what my re-watch
has done is remind me how brilliant Pearl Mackie and Bill Potts is. After Donna
I think she’s the best companion of the ‘new’ Doctor Who era. Pearl Mackie’s doing
a great job too. <o:p></o:p></span><br />
<span lang="EN-US" style="mso-ansi-language: EN-US;"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="mso-ansi-language: EN-US;">So, this I think is my favourite story of Series 10 so far. <o:p></o:p></span></div>
<!--EndFragment--><br />PatientCenturionhttp://www.blogger.com/profile/14773954478753900864noreply@blogger.com0tag:blogger.com,1999:blog-7551347725630889312.post-72574393726687685522020-02-13T11:39:00.000+00:002020-04-08T21:57:08.552+01:00Smile<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3llqz5qts1WgSlfn4LQLpfQE4HSCIkLH1VsM9fa8L1-vsJlTCQPWrc4geRvRDloSP4c6xxPkTUxZQLPqVCiDd7nuZ4rfYUH2WzWUm2wmcVocwkFnrkPvyboJpcVtJcWu-a7R_N8lg8dQ/s1600/Smile.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3llqz5qts1WgSlfn4LQLpfQE4HSCIkLH1VsM9fa8L1-vsJlTCQPWrc4geRvRDloSP4c6xxPkTUxZQLPqVCiDd7nuZ4rfYUH2WzWUm2wmcVocwkFnrkPvyboJpcVtJcWu-a7R_N8lg8dQ/s320/Smile.jpg" width="320" /></a></div>
<br />
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<!--StartFragment-->
<div class="MsoNormal">
<span lang="EN-US" style="mso-ansi-language: EN-US;">I might
struggle to say much about Smile. That’s not because I didn’t enjoy it. I did.
It just felt a little lacking in something. But I am a man who likes to look
for the positive in all Doctor Who. If you want to find people who dislike
Doctor Who episodes with a passion that I admire in a strange self-harming way,
then the internet is your oyster. Here at Patient Centurion Towers, we like to
enjoy the things we enjoy. <o:p></o:p></span><br />
<span lang="EN-US" style="mso-ansi-language: EN-US;"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="mso-ansi-language: EN-US;">Let’s begin
with the most obvious thing: Bill Potts is a wonderful addition to Doctor Who.
She’s quick-witted, funny and good-hearted and she’s an ordinary person in an
extraordinary situation. She isn’t a mystery to be solved. There’s a lot of
Bill Potts’s out there but alas not many Doctors to help them see the universe.
<o:p></o:p></span><br />
<span lang="EN-US" style="mso-ansi-language: EN-US;"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="mso-ansi-language: EN-US;">And isn’t
that part of the appeal of Doctor Who? The thought that one day someone will
appear and take us out of our mundane lives and take us out there to see
the universe in all its glory. Except, as this episode demonstrates, the
universe is a dangerous place and there’s an awful lot of running. I’d be dead
in a week, especially as one of the first places I’d want the Doctor to take me
would be Berlin in the 20s/30s. I’d love a trip to Weimar Germany. I’d be happy
with exploring the nightlife and getting my hands on some fantastic art to
take home with me. Or late 19<sup>th</sup> century/early 20<sup>th</sup>
century Vienna where I could hang about in the cafés and get myself some
Schiele paintings. Or Mexico and meet Freida Kahlo in person. I suspect I’d be
an art junkie or an event junkie. Persuading the Doctor to let me see
Shakespeare plays or those opera first night’s where audiences booed and
rioted. All that would be great. It would be the monsters that would be the
problem. <o:p></o:p></span><br />
<span lang="EN-US" style="mso-ansi-language: EN-US;"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="mso-ansi-language: EN-US;">But that
was a whacking great digression. There is something wonderfully creepy about
how this episode starts and that the villains aren’t really villains
but nanobots taking their programming far too literally. In this story, the
nanobots are called Vardy, which kept making me think of Jamie Vardy, which I
suspect wasn’t the intention of Frank Cotterall-Boyce (or perhaps it was.) <o:p></o:p></span><br />
<span lang="EN-US" style="mso-ansi-language: EN-US;"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="mso-ansi-language: EN-US;">How the Doctor sorts out of the problem, which involves making
landlord-capitalism an actual victor, is fine. It’s just not the most exciting
of adventures. That’s not quite what he did. He freed a set of slaves by
re-booting them and effectively got their former slave masters to pay them
reparations in the form of rent. Then he leaves. This is one of those Doctor
Who stories where I wonder what the hell happens a couple of years after he’s
gone and the rent increases start coming in. There is an interesting
philosophical question here, which is how do you free someone who doesn’t know
they’re a slave because they don’t have free will? <o:p></o:p></span><br />
<span lang="EN-US" style="mso-ansi-language: EN-US;"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="mso-ansi-language: EN-US;">It’s nice
to see The Doctor almost making a terrible mistake too. Occasionally The
Doctor’s decisiveness is a problem and this was one of those
situations. He rushes in where angels fear to tread. And then has to sort out
his own mess before it is too late. <o:p></o:p></span><br />
<span lang="EN-US" style="mso-ansi-language: EN-US;"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="mso-ansi-language: EN-US;">Once again
Capaldi and Mackie (or the Doctor and Bill if you prefer) bounce off each
other beautifully. Even after only two stories, I’m starting to think that Bill
was the companion the Twelfth Doctor was waiting for. <o:p></o:p></span><br />
<span lang="EN-US" style="mso-ansi-language: EN-US;"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="mso-ansi-language: EN-US;">This is
also, another of those new Doctor Who stories that has well-known performers
in tiny parts and that makes you think…oh, can’t we have a bit more of this
person/these people? In this case Mina Anwar and Ralf Little. <o:p></o:p></span><br />
<span lang="EN-US" style="mso-ansi-language: EN-US;"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="mso-ansi-language: EN-US;">‘New’
Doctor Who flirts occasionally – see ‘Dinosaurs on a Spaceship’ and ‘Sleep’ –
with a future in which India (or Indo-Japan) has a large part to play in the
space travelling future. I’d like to see more of this. It would be interesting
to see that future. I was listening to David Tennant’s podcast interview with
Whoopi Goldberg and there’s a discussion there about Uhuru in Star Trek. And
Goldberg points out that Uhuru was the first time she’d seen a black person in
the future. Until then the future was all white. And I’d never considered that.
After all, I’m a white man. I’m always there in the future. Doing pretty much
whatever it was white men were doing in the present. Imagine not being
represented by a whole genre. Imagine not being expected to exist in the
future. And not necessarily because the writers or creators of science-fiction
were racists – even though some of them were* - but because they never gave it
any thought. Because it didn’t matter.<o:p></o:p></span><br />
<span lang="EN-US" style="mso-ansi-language: EN-US;"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="mso-ansi-language: EN-US;">I’m ranting
away again and that’s because I don’t have much to say about this episode as an
episode. It looks amazing though. Lawrence Gough directs well enough. The trip
to Spain to film in the City of Arts and Sciences in Valencia pays off because
it looks pretty ‘of the future.’ <o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="mso-ansi-language: EN-US;">It’s an OK
story that doesn’t necessarily have time to explore all the ideas that are
bubbling away underneath it. I’d watch it again now though just for Bill and
the Doctor though. I’m loving those two. <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="mso-ansi-language: EN-US;">*I’m
looking at you H.P. Lovecraft <o:p></o:p></span></div>
<!--EndFragment--><br />PatientCenturionhttp://www.blogger.com/profile/14773954478753900864noreply@blogger.com0tag:blogger.com,1999:blog-7551347725630889312.post-20545399604951621572020-02-12T10:14:00.004+00:002020-04-08T21:57:40.164+01:00The Pilot<!--[if gte mso 9]><xml>
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<div class="MsoNormal">
<span style="font-family: "arial" , "helvetica" , sans-serif;">So, we
begin Series 10 of ‘new’ Doctor Who with ‘The Pilot’ and Steven Moffat takes
the opportunity to re-launch the Capaldi era. With Clara gone and forgotten the
Doctor seems to have settled down at a University teaching. What he’s teaching
isn’t quite clear, but it gets the students to turn up to his lectures so it
must be good.</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "arial" , "helvetica" , sans-serif; mso-ansi-language: EN-US;">He’s also,
we discover, guarding a vault. What’s in the vault we have yet to discover, but
it is an important enough ‘thing’ to have the Doctor effectively exiled to the
Earth once again. I’m assuming we’ll find out who or what it is at some
suitable future date? *<o:p></o:p></span><br />
<span lang="EN-US" style="font-family: "arial" , "helvetica" , sans-serif; mso-ansi-language: EN-US;"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "arial" , "helvetica" , sans-serif; mso-ansi-language: EN-US;">The
Doctor is also joined by Nardole (Matt Lucas). How the Doctor has restored
Nardole’s head to his body – or <i style="mso-bidi-font-style: normal;">a </i>body.
How this has been achieved we don’t know. There’s a hint of robot about it, but
also a hint – or should that be a smell – of the organic. Whether we will find
out exactly what has happened I’m not sure. I don’t think it really matters.
Nardole’s role seems to be part Jiminy Cricket, part Greek chorus, and part just
plain snark. Matt Lucas does a good job of seemingly making a slightly awkward
toddler feel like it is a little alien. **<o:p></o:p></span><br />
<span lang="EN-US" style="font-family: "arial" , "helvetica" , sans-serif; mso-ansi-language: EN-US;"><br /></span></div>
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<span lang="EN-US" style="font-family: "arial" , "helvetica" , sans-serif; mso-ansi-language: EN-US;">Most
importantly though we get to meet Bill Potts (Pearl Mackie). Bill Potts is the
sort of character that brings people who think representation is just
‘political correctness gone mad’ out in a rash. Because Doctor Who can only be
Doctor Who when everyone in it is white and straight. This isn’t the time and a
place for a political rant but what’s brilliant about Bill Potts (and Pearl
Mackie’s performance) is that she feels like the most ‘real’ companion in New
Doctor Who since Donna. The fact that she’s a lesbian doesn’t matter. The
Doctor doesn’t care – or even know or notice. It’s a part of the story but no
one makes a ridiculously big deal out of it. Bill is like a breath of fresh
air. I liked her from the off. <o:p></o:p></span><br />
<span lang="EN-US" style="font-family: "arial" , "helvetica" , sans-serif; mso-ansi-language: EN-US;"><br /></span></div>
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<span lang="EN-US" style="font-family: "arial" , "helvetica" , sans-serif; mso-ansi-language: EN-US;">Pearl
Mackie brings her to life without doing too much in the way of acting. This is
a compliment, not an insult. Acting is a difficult thing to do because as soon
as you look like your doing it then it seems false. Especially on television or
film. Theatre is a slightly different thing, but I’m not Stanislavsky so a long
digression on acting technique we can save for another day. But Mackie is
natural. It doesn’t feel like a performance. I’m looking forward to seeing how
she develops. <o:p></o:p></span><br />
<span lang="EN-US" style="font-family: "arial" , "helvetica" , sans-serif; mso-ansi-language: EN-US;"><br /></span></div>
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<span lang="EN-US" style="font-family: "arial" , "helvetica" , sans-serif; mso-ansi-language: EN-US;">There’s
definite chemistry between her a Capaldi. Like good double-acts everywhere they
seem to complement each other and raise their game a little when together. This
gives me a chance to say – once again – how bloody brilliant Peter Capaldi is
as Doctor Who. I’d say this was the part he was born to play, but that equally
applies to Malcolm Tucker. I get the impression from interviews though that in
real life he’s more the Doctor than he is Malcolm Tucker. But I could watch him
as the Doctor forever. He’s displaced Tom Baker as my favourite Doctor for
quite a long time now, even though Tom Baker will always be THE Doctor to me. <o:p></o:p></span><br />
<span lang="EN-US" style="font-family: "arial" , "helvetica" , sans-serif; mso-ansi-language: EN-US;"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "arial" , "helvetica" , sans-serif; mso-ansi-language: EN-US;">I’ve seen a
theory expressed on the internet that Capaldi’s chosen to play his first season
(broadly) as Hartnell, his second as Troughton and this one as Pertwee and I
can see how that might feel like a sensible suggestion. Whether it is
deliberate or whether we’re doing that human thing of seeing patterns when
there aren’t any again only a long discussion with Peter Capaldi himself will
reveal. His Doctor certainly seems to change over time. I’m interested to see
how it all ends. <o:p></o:p></span><br />
<span lang="EN-US" style="font-family: "arial" , "helvetica" , sans-serif; mso-ansi-language: EN-US;"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "arial" , "helvetica" , sans-serif; mso-ansi-language: EN-US;">I’ve not
said much about ‘The Pilot’ itself because I don’t think there’s a lot to say.
The main purpose of this story is to introduce us to Bill and the Doctor’s new
circumstances, which it does rather nicely. The fact that there’s intelligent
alien super-petrol copying (and killing?) a beautiful but miserable student
with a starry, starry eye is just background. Bill’s feelings for Heather
though seem real enough and whatever ‘Heather’ now is she seems to replicate
those feelings to some degree. We never find out anything about the origins of
this super-petrol, but it doesn’t matter. There’s never a huge feeling of
danger, but there is a certain degree of creepiness about her behavior. There’s
also a question about how powerful she is. Perhaps one day we will find out. Or
perhaps not. <o:p></o:p></span><br />
<span lang="EN-US" style="font-family: "arial" , "helvetica" , sans-serif; mso-ansi-language: EN-US;"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "arial" , "helvetica" , sans-serif; mso-ansi-language: EN-US;">It’s a good
start to Series 10. It’s a gentle-ish introduction to the new team and if
you were stepping into Doctor Who for the first time this might not be a bad
place to start. <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "arial" , "helvetica" , sans-serif; mso-ansi-language: EN-US;">*I’m
pretending I’ve not seen what follows. Whether this makes me enough of a
performer to get a Lorraine Kelly style tax deal we will see. <o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "arial" , "helvetica" , sans-serif; mso-ansi-language: EN-US;">**I
recommend his biography btw. It’s rather good. It manages to be quite
heart-breaking and deep whilst pretending to be something else altogether. I
suspect Matt Lucas is a clever man. <o:p></o:p></span></div>
<!--EndFragment--><br />PatientCenturionhttp://www.blogger.com/profile/14773954478753900864noreply@blogger.com0tag:blogger.com,1999:blog-7551347725630889312.post-65464598166715773302020-02-10T14:24:00.000+00:002020-04-08T21:58:28.211+01:00The Return of Doctor Mysterio<!--[if gte mso 9]><xml>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUiuisK74dRFqOjTjvuNI8vZVv8tgS_JigRGJZlMoKt6IhNlGnJqHkvbptzzKhDNkE7czsTSZizWJNGaZls6Uybc9xJldr9jUWHDyL77nFAi5yhm-CmpKZm0YHbnyzUv8kWLtV8DnDrsw/s1600/Dr+Mysterio.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="413" data-original-width="620" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUiuisK74dRFqOjTjvuNI8vZVv8tgS_JigRGJZlMoKt6IhNlGnJqHkvbptzzKhDNkE7czsTSZizWJNGaZls6Uybc9xJldr9jUWHDyL77nFAi5yhm-CmpKZm0YHbnyzUv8kWLtV8DnDrsw/s320/Dr+Mysterio.jpg" width="320" /></a></div>
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<span style="font-size: 11pt;">Well, The Return of Doctor Mysterio – hereafter just
Mysterio to save me from repetitive strain injury – is possibly the least
Christmassy Christmas special so far. There is a brief nod to Christmas at the
beginning and then we’re straight into the adventure. So, I’d probably have to
deduct a mark for that. If I was marking these episodes.</span><br />
<span style="font-size: 11pt;"><br /></span></div>
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<o:p></o:p></div>
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Mysterio introduces a superhero into the Doctor Who
universe. A proper sort of Superman. The only superhero we’ve come across
previously was fictional – or should that be fictional in a fictional
universe – Karkus in The Mind Robber. Are ‘real’ superheroes compatible with
the Doctor Who universe? Isn't everything?<o:p></o:p><br />
<br /></div>
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The first thing, therefore, Steven Moffat does is to give our
superhero, who will be called ‘The Ghost’ a nice Doctor Who universe
explanation. Peter Capaldi does fine work here aided by a child actor who is
pretty good, Logan Hoffman. It’s funny, which always helps. <o:p></o:p><br />
<br /></div>
<div class="MsoNormal">
I should say – and I like to get this out of the way early –
that I mostly enjoyed this. It feels pretty inconsequential, with the exception
of the re-introduction of Nardole (Matt Lucas.) There was some snarking when it
was announced that Matt Lucas would return in Series Eleven, probably the same
kind of snark that greeted the arrival of Catherine Tate. The expectation that
someone who is a comedian is not going to be good at acting. And yes, Nardole
is a more comic part than Donna, but there is also more to him than that and on
this initial sample I think we’re going to be fine. Nardole is a good foil for
the Doctor and Matt Lucas plays him well. <o:p></o:p><br />
<br /></div>
<div class="MsoNormal">
The villains in this story, Harmony Shoals are connected to
those in The Husbands of River Song. They’re the head peeling – if that is the
right word – nasties. They’re suitably creepy, especially Aleksandar Jovanovic
as Dr. Sim, but I’m afraid aren’t going to feature in many people’s lists of
favorite Doctor Who monsters. Anyway, they have a plan to conquer the world
and the Doctor – along with Grant Gordon/The Ghost (Justin Chatwin) and
journalist Lucy Fletcher (Charity Wakefield) aka Superman and Lois Lane. <o:p></o:p><br />
<br /></div>
<div class="MsoNormal">
This story wears the influence of Richard Donner’s 1978
Superman movie on its sleeve. Much more so I think than any modern superhero
movies, except the costume. The costume is a modern superhero outfit. Perhaps because Donner’s movie – retrospectively at least – is more
intimate than most modern superhero movies, with the exception perhaps of
Logan. But I’m not here to talk about the superhero genre. I’m here to talk
about Doctor Who.<o:p></o:p><br />
<br /></div>
<div class="MsoNormal">
Chatwin and Wakefield are excellent in their roles. Lucy
Fletcher’s interrogation of the Doctor using Mr. Huffle as a lie detector of
sorts is rather marvelous and Chatwin gets to be nice, which is an unusual
trait in a television character these days. My only – slight – quibble is that
Grant’s role as Lucy’s nanny, a woman he’s known since high school, does seem a
tad stalkerish. However lovely it is in the end. But I may be getting a little
weird in my old age. A lot of what used to seem like a romantic story to me
these days smacks of stalking to me now. That’s my problem though, not yours. <o:p></o:p></div>
<div class="MsoNormal">
The Doctor and Nardole attempt to thwart Harmony Shoals’
plan whilst Lucy and The Ghost have a romantic dinner for two. Unfortunately,
their dinner gets interrupted by Harmony Shoals’ Mr. Brock who wants The Ghost
for his body. And things then happen. But it all turns out alright in the end.
I particularly love The Doctor’s totally contemptuous dismissal of Mr. Brock,
which I’d like to see more of in Doctor Who. <o:p></o:p><br />
<br /></div>
<div class="MsoNormal">
So, it isn’t the best Doctor Who story ever. Nor is it
highly festive, but it is an enjoyable enough story and that is pretty much all
I have to say about that. <o:p></o:p></div>
<!--EndFragment--><br />PatientCenturionhttp://www.blogger.com/profile/14773954478753900864noreply@blogger.com0tag:blogger.com,1999:blog-7551347725630889312.post-76136678736610802242019-12-22T19:06:00.001+00:002020-04-08T21:58:48.790+01:00The Husbands of River Song<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJjmi4JxzuINH2zPA9cxsjAodTTur3Osb8hrW9BZWt7DcYwPnPpJE7MfEAnpNTckLkkrq7i3e_AM2uj8xzJrptIYVXmmkFMNfSN0o2ijbyrKpcJD8lZh-kjIOWbLm43gp2xmVYySfTQak/s1600/The+Husbands+of+River+Song.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="464" data-original-width="825" height="179" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJjmi4JxzuINH2zPA9cxsjAodTTur3Osb8hrW9BZWt7DcYwPnPpJE7MfEAnpNTckLkkrq7i3e_AM2uj8xzJrptIYVXmmkFMNfSN0o2ijbyrKpcJD8lZh-kjIOWbLm43gp2xmVYySfTQak/s320/The+Husbands+of+River+Song.jpg" width="320" /></a></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<br /></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<b><br /></b></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<b>THIS REVIEW
CONTAINS SPOILERS. SORRY.<o:p></o:p></b></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
When I watched this story on original broadcast, I adored
it. It went straight into the top spot as my favorite Doctor Who story ever. I
knew this was probably temporary because it was precisely the story I needed
after what had been quite a dark preceding season of Doctor Who, but I loved
it. <o:p></o:p></div>
<div class="MsoNormal">
Now, on re-watch I still love it. It manages to balance fun,
silliness, emotion, and excitement rather well. It’s paced beautifully. Douglas
Mackinnon’s direction is top-notch. <o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
It is, I think, the perfect end to the story of the Doctor
and River Song. Bringing her back now would, like the repeated returns of Rose,
be a disappointment. Whether by accident or design Steven Moffat has managed to
tell a pretty perfect time-traveling love story. We should be generous and
assume it was by design. <o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
I have always liked River Song and I think Alex Kingston has
played her to perfection. It will be a shame not to see her again, but don’t
spoil this perfect end by bringing her back dear future showrunners. Everything ends. Although – one tiny quibble – I think she’s uncharacteristically
obtuse in not realizing that this is the Doctor before she does. However, I
forgive that because it gives us the best ‘Hello Sweetie’ in the whole series
(and I love River’s attempts to win back some credibility in its aftermath.)<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Capaldi is excellent in this too. He gets two of my
favorite Capaldi moments in this story: his entrance into the TARDIS –
‘finally’ and his speech at the end to River when he’s ostensibly talking about
the Singing Towers but is talking about something entirely different. This is
the first Capaldi story I’ve watched for a while and it reminded me once again
why I’ve put him at the top of my list of favorite Doctors, which is – in its
way – as arbitrary as my list of favorite Doctor Who stories. He can do it
all. I think the key to playing the Doctor is the ability to shift from serious
to silly in a moment and Capaldi can do that. <o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
The supporting cast, of whom there are not a lot, do a fine
job in small parts. Greg Davies gets to be loud and obnoxious; Matt Lucas gets
to be funny, silly and a little strange as Nardole and Philip Rhys gets to be
handsome as Ramone. None of them are particularly stretched but all of them do
what they are asked to do with aplomb. <o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
I should also add some praise for Rowan Polonski as Fleming,
the maître d’ of the starship Harmony and Redemption who channels the obsequiousness
delightfully and then manages to turn into a total git. River Song gets to give
him a lovely verbal execution towards the end of the story.<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
The idea of the starship Harmony and Redemption, which I
overlooked on the first watch, is a horrible and interesting one. It’s basically
a place where genocidal maniacs go to relax. Even the crew, according to River,
are murderers. I’m not sure it would be the sort of place one would like to
hang out for lunch, but the decision of River and the Doctor not to save the
ship and, I assume, let most of the passengers die seems to fit this. Perhaps
Steven Moffat needed this to make sure that the final moments of that episode
allowed the Doctor and River their moment. Having them aboard a ship full of
people worth rescuing might have made that a bit messy. <o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
And there we have it. Still vastly enjoyable. I still cried
a little. I still think they should have kissed at the end. But let us leave The
Doctor and River to spend their long, long night on Darillium in peace. <o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Goodbye Sweetie. <o:p></o:p></div>
<br />PatientCenturionhttp://www.blogger.com/profile/14773954478753900864noreply@blogger.com0tag:blogger.com,1999:blog-7551347725630889312.post-56000567703447601372019-12-21T12:56:00.002+00:002020-04-08T22:00:41.467+01:00Hell Bent<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4DyZdeZi4RZQikOEaSWx6uHoDVOXNSYesORyNIHr5VbybnLAZHXnpAxF44PJdopAWg2zwnYh9ahe9g8GXR3QKSJwv5LcD05j-PnuOeBIR0d7Tjw-2mwpLhM7MdTeSTJ_JcyImzQwT0m4/s1600/Hellbent.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4DyZdeZi4RZQikOEaSWx6uHoDVOXNSYesORyNIHr5VbybnLAZHXnpAxF44PJdopAWg2zwnYh9ahe9g8GXR3QKSJwv5LcD05j-PnuOeBIR0d7Tjw-2mwpLhM7MdTeSTJ_JcyImzQwT0m4/s320/Hellbent.jpg" width="320" /></a></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<b><br /></b></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<b><br /></b></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<b>MORE OF THOSE DAMN
SPOILERS</b></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Was <b>Hell Bent</b> always going to be a slight disappointment
after <b>Heaven Sent</b>? Possibly. It’s still good though. Even though I get
the impression that it isn’t held in that high regard by other fans. There seems
to be a feeling that having waited so long to see Gallifrey again we only get a
flying visit before its all back to the Clara story. <o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
But honestly, what was Gallifrey in Classic Who except for a
series of dull rooms and an occasional visit to the Matrix or The Death Zone? We
get to see some bits of Gallifrey we’ve not seen before. We get hints at the
Doctor’s past and then, instead of staying, the Doctor runs away again.
Gallifrey is a very boring place. I mean, whatever the theories for the Doctor’s
departure, I’m still going with the original: he was bored, and he wanted to
see the universe not just look at it from some intergalactic ivory tower. <o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
I like the way this story is told. Chopping between
the story itself and the Doctor’s telling of it in the diner. I like the way it
ties up several threads without overloading everything. Clara’s original request
to the Doctor all the way back to Asylum of the Daleks to ‘run, you clever boy
and remember…’ has more poignancy after this story. It tries to tie up the
Hybrid theme but then decides not to bother, but not before Me/Ashildr gently
hints that the Doctor might be half-human – presumably on his mother’s side –
again. Although this gets the brush off. Sort of. <o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
The question of whether the ‘rescue’ of Clara undoes the
emotional impact of her death is an interesting one. I felt – at the time – that
it did. But then on re-watch, I felt Clara’s loss in <b>Face the Raven</b> as much as I
had on the original watch even though I knew what was coming. And her ‘escape’ isn’t
quite perfect, and the Doctor is punished for his hubris as he loses his
memories of Clara, which might also feel a bit like retrospective karma for
what he did to Donna all those stories long ago. So, in effect, although he
rescues her, he’s lost her again. And this time he can’t even grieve for her because
he doesn’t know there’s a loss to grieve. It’s as heart-breaking as Zoe and
Jamie’s fates at the end of <b>The War Games</b>.<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
The Doctor’s been heading this way though since <b>The Girl
Who Died/The Woman Who Lived</b> after he convinced himself he knew why he’d picked
his face and that he was tired of losing people. The example of Me/Ashildr didn’t
seem to put him off though. He’s still determined to save Clara. Even though
she’s dead. It’s un-Doctorish to an unusual degree. It’s like grief has driven
him slightly mad. <span style="mso-spacerun: yes;"> </span><o:p></o:p></div>
<div class="MsoNormal">
<span style="mso-spacerun: yes;"><br /></span>
<span style="mso-spacerun: yes;">I do love the scene that ends with the Doctor saying to Clara after she had found out how long he spent in the Confession Dial, 'I had a duty of care.' Never has a phrase created out of legalese had more of an emotional wrench. It's 'I love you' isn't it? </span><br />
<span style="mso-spacerun: yes;"><br /></span></div>
<div class="MsoNormal">
Again, I love Rachel Talalay’s direction, which brings a
real film feel to this episode. <b>Heaven Sent</b> was incredibly creepy and
claustrophobic. <b>Hell Bent</b> is more expansive. Plus, we get an old-school
original TARDIS interior to gawp at. This is the second TARDIS the Doctor has
stolen and the second TARDIS that won’t get returned to Gallifrey as it is now
in the hands of Me/Ashildr and Clara. <o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
The interesting thing in this story is how out of control
the Doctor is. He even kills someone. Even if that is a Time Lord and they can
regenerate. He’s let off a bit lightly there, I think. The General’s regeneration
is another little seed sown in the path towards a female Doctor. Ooh and black
Time Lords and Gallifreyans* too. This must be driving the non-PC crowd batshit
crazy. Good.<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
In the end, the Doctor is alone again. In his TARDIS with a
new sonic screwdriver. Clara and Me/Ashildr have gone off to have adventures of
their own, which I’m sure Big Finish will get around to one day. Clara and
Me/Ashildr are effectively immortal so how that’s going to work out, in the long run, I don’t know. I suppose both can be killed. I have this image of the two of them landing
for the first time and the Time Lords just waiting for them. I mean it is one
thing the Doctor stealing a TARDIS but two random aliens running off with one.
That’s not going to end well.</div>
<div class="MsoNormal">
<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Heaven Sent certainly isn’t as strong as Hell Bent but that is true of most Doctor Who stories. It is still a good story told
in an interesting way. And just because Gallifrey is back it doesn’t mean we
need to pop by every other week. Let it be there. Waiting for the right moment.
<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
*My theory is that Gallifreyans are the ordinary population.
Time Lords are drawn from that population. That becoming a Time Lord – with regeneration, etc – is a process / an education. So not all Gallifreyans can regenerate for
example. <o:p></o:p></div>
<br />PatientCenturionhttp://www.blogger.com/profile/14773954478753900864noreply@blogger.com0tag:blogger.com,1999:blog-7551347725630889312.post-30434847952641834082019-12-20T08:48:00.000+00:002020-04-08T22:03:57.746+01:00Heaven Sent<!--[if gte mso 9]><xml>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"/>
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<!--StartFragment-->
<div align="center" class="MsoNormal" style="text-align: center;">
<b><br /></b></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6qPqBr3RuUfGf2dQFb2avJaaCiJDMEO_XD3sC9KGw2Xfyeq4ISehgdMlomRRDGQa_ohnBGdlwa46rqMHzPY1inoiBDJ5cPEoLFbI9kIdek0OLgZ_4c4luyHAv5P1-iUdQYuljWExomvw/s1600/Heaven+Sent.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1035" data-original-width="1600" height="206" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6qPqBr3RuUfGf2dQFb2avJaaCiJDMEO_XD3sC9KGw2Xfyeq4ISehgdMlomRRDGQa_ohnBGdlwa46rqMHzPY1inoiBDJ5cPEoLFbI9kIdek0OLgZ_4c4luyHAv5P1-iUdQYuljWExomvw/s320/Heaven+Sent.jpg" width="320" /></a></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<b><br /></b></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<b style="font-size: 11pt;">MORE SPOILERS.
OBVIOUSLY.</b></div>
<div class="MsoNormal">
I’m going to nail my colors to the mast from the beginning
here. I think <b>Heaven Sent</b> is not only one of the best episodes of New
Doctor Who, I think it is one of the best episodes of Doctor Who. In fact,
*I think it is one of the best fifty-four minutes of television ever made. It’s
certainly Peter Capaldi’s finest not quite an hour.<o:p></o:p><br />
<br /></div>
<div class="MsoNormal">
It is a full-on exploration of grief and loss that you’d
never expect from Doctor Who, which as I’ve often said many times before, is often
quite glib when it comes to death. People die all the time in Doctor Who and
hardly anyone ever really cares. But then if they did this wouldn’t be Doctor
Who would it? It would be one of the bleakest television shows ever made. And
we get a hint of this here, although this story is also a tribute to the Doctor’s
own strength. He nearly breaks here. Nearly. But not quite. In the end, he’s arrived somewhere, and he’s emerged from his trial victorious. <o:p></o:p></div>
<div class="MsoNormal">
Indeed, <b>Heaven Sent</b> truly is the Trial of a Time Lord. The Doctor is truly tested. Is he found wanting? Well, we shall see. <o:p></o:p><br />
<br /></div>
<div class="MsoNormal">
This story, written by Steven Moffat and directed by Rachel
Talalay features only two actors (and one small child right at the end.) And
only one of those, Peter Capaldi, speaks. The other is the slow, silent Veil
(Jami Reid-Quarrell). The Veil lurks and reaches to great effect, but this is
the Peter Capaldi solo performance and it is brilliant. I am still genuinely
raging that his performance in this story went unrecognized at any acting awards.
If there was an actor anyway in anything doing a better job than Capaldi in
this story, then I’d like to see it. It’s almost as if it was ‘just Doctor Who’,
which means it is undeserving of praise. Indeed, this just re-kindles my rage
about how the whole Capaldi era was handled by the BBC. How half-arsed the
publicity was. How no one seemed to care about it anymore. It genuinely felt –
at points – like the fag end of Classic Who when the people running the BBC
couldn’t give a toss anymore. Then up pops Jodie Whittaker** and everyone wakes
up again. <o:p></o:p><br />
<br /></div>
<div class="MsoNormal">
The Doctor is trapped inside a castle. It is a castle whose
walls move. There’s something of an Escher drawing about it. The castle is ‘haunted’
by the Veil. The purpose of all this is to get the Doctor to reveal what he
knows about something important, The Hybrid. To do this the Doctor’s jailers
are prepared, basically, to torture him and watch as their results play out. Then
the Doctor finds a way out that is both a real wall of crystal and a metaphor
for persistence overcoming resistance (to use a horrible phrase I learned a
long time ago in sales training.) <o:p></o:p><br />
<br /></div>
<div class="MsoNormal">
Talalay’s direction is superb, especially during the montage
sequence as the Doctor repeats his days over and over again creeping closer to escape.
This story establishes her as one of the great directors of Doctor Who.<o:p></o:p><br />
<br /></div>
<div class="MsoNormal">
You get the impression that the
Doctor might give up at some points. He wants to lose. He wants to be left alone to die. He
doesn’t want to be the Doctor anymore, but the ghost of Clara past (if ghost is
the correct term) is there to remind him of who he is. It’s the sequence inside
the Doctor’s TARDIS ‘mind palace’ that brings us some of the story's strongest moments. The
moment that always gets me is when The Doctor says, ‘But you still won’t be
there…’ It’s remarkable acting in a remarkable story. <o:p></o:p><br />
<br /></div>
<div class="MsoNormal">
Then when the Doctor escapes you get one of the great
moments of modern Doctor Who and a stonkingly good cliffhanger to boot. There’s a lot happening
here. <o:p></o:p><br />
<br /></div>
<div class="MsoNormal">
To conclude – he says clunkingly – this is one of the great Doctor
Who episodes of all time. It’s got the best performance you’ll see from any actor
who has played the Doctor in it and it has things to say about grief that
Doctor Who has ignored completely up until now. Why does no one mourn anyone in
Doctor Who (or hardly ever)? Well, because – as I said earlier – it wouldn’t be
Doctor Who anymore but here we stop to do so and as a result it makes everything
feel more real. <o:p></o:p><br />
<br /></div>
<div class="MsoNormal">
Watch it.<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<o:p> </o:p><span style="font-size: 11pt;">*Not fact. Opinion. Obviously.</span></div>
<div class="MsoNormal">
<o:p></o:p></div>
<div class="MsoNormal">
**That’s not a criticism of Jodie btw. Who I think is great.
<o:p></o:p></div>
<!--EndFragment--><br />PatientCenturionhttp://www.blogger.com/profile/14773954478753900864noreply@blogger.com0tag:blogger.com,1999:blog-7551347725630889312.post-1223828754388985182019-12-19T19:48:00.005+00:002020-04-08T22:01:27.935+01:00Face The Raven<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjz4H9AUSk_yPRGDLTEQRkpnQ3Q067okDTxWy889GjQ70M3niPIjwZgWzK7pW6D8Ek_yulRQYemsjiQHnBnt66_VODIwWipl5HzxbGPokCu3PWQmG_XBTdJD8_1ALp8reKy7uMTWM7DAy8/s1600/Face+The+Raven.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjz4H9AUSk_yPRGDLTEQRkpnQ3Q067okDTxWy889GjQ70M3niPIjwZgWzK7pW6D8Ek_yulRQYemsjiQHnBnt66_VODIwWipl5HzxbGPokCu3PWQmG_XBTdJD8_1ALp8reKy7uMTWM7DAy8/s320/Face+The+Raven.jpg" width="320" /></a></div>
<div class="MsoNormal">
<span lang="EN-GB"><br /></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-GB"><b><br /></b></span></div>
<div class="MsoNormal" style="text-align: center;">
<b>CONTAINS MASSIVE SPOILERS. OBVIOUSLY</b>.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-GB">First, a little preamble. When it comes to
the final three episodes of Series 9, I had to decide whether these were three separate
stories or one three-part story. Or something else. So, I made an entirely arbitrary
decision to write three separate blogs even though I consider <b>Face the Raven/Heaven
Sent</b> and <b>Hell Bent</b> to be one single story, which deserves an
over-arching title, but I can’t think of one. <o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-GB">These three stories are a little like <b>The
Invasion of Time</b> (which is a comparison I think might never have been made before) which is a six-part story split into two.</span> The first two episodes are a quick and
easy chance for the Doctor to stitch up a potential invasion by the least impressive Doctor Who villains ever before facing a whole different threat in the final four
episodes, but it is still one story.</div>
<div class="MsoNormal">
<span lang="EN-GB"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-GB">Now, as I said this is an arbitrary
decision. Perhaps the logical one would have been to do two blogs. One for <b>Face
the Raven</b> and another for <b>Heaven Sent/Hell Bent</b>. However – and this
is where the true arbitrariness comes in – I think <b>Heaven Sent</b> deserves
a whole blog of its own because not doing so is unfair – SPOILERS - on one of
the best Doctor Who episodes ever made. Of which more later.<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-GB">What of <b>Face the Raven</b>? <o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-GB"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-GB">Well, it is rather good. The price of Clara’s
behavior since the death of Danny is paid. She’s ‘gone native’. She thinks she
is the Doctor and can run like the Doctor. The risk has become an addiction. Her
fate in <b>Face the Raven</b> is the result.<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-GB"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-GB">We begin with a call from Rigsy (Joivian
Wade) from Flatline. He has a new tattoo on his neck. It isn’t a normal tattoo
though. It’s a countdown. But, a countdown to what? Well, it turns out it is a countdown
to death. <o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-GB"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-GB">The Doctor and Clara trace his movements from
the previous day and find a ‘trap street’. Now, in the real world, a ‘trap
street’ is just the name for a false street added to a map by a cartographer to
catch out copyright thieves. In Doctor Who this ‘trap street’ is a real street.
It’s where a small cluster of aliens have hidden – mostly after getting caught up
with the Doctor in some way or another – and the street has a Mayor. That Mayor
is Me/Ashildr (Maisie Williams). The ‘trap street’ it turns out is an actual
trap. <o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-GB"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-GB">Rigsy was the bait to bring the Doctor here.
He has been accused of a terrible crime, for which death by Quantum Shade - in
the form of a raven - is the sentence. Unfortunately, Clara does something
terrible. She takes Rigsy’s tattoo and therefore his sentence. She thinks that
the Doctor will come up with a solution, but he can’t. Me/Ashildr can’t undo it
either. Clara is going to die. And whoever trapped the Doctor is going to take
him away, along with his confession dial. <o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-GB"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-GB">The last ten minutes or so of this story
is fantastically well-acted. By Capaldi, by Coleman, and by Maisie Williams. The
Doctor’s anger at Me/Ashildr when he realizes what is happening is something to
behold, but Clara’s response is equally powerful. She doesn’t want him like
this. She doesn’t want her death to be the cause of him no longer being the
Doctor. It’s so well-written and well-played by both that it is almost unbearable.
I won’t pretend I didn’t cry. I did. </span></div>
<div class="MsoNormal">
<span lang="EN-GB"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-GB">Maisie Williams is equally strong as
she realizes what has happened. There’s a moment when The Doctor is raging, and
he lifts his hand and Me/Ashildr flinches as if she’s expecting to be slapped. It’s
a real revelation of what Me/Ashildr fears the Doctor to be capable of in that
mood. <o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-GB"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-GB">Then Clara faces the raven. For all it’s
darkness it is a strong end to Clara’s story. The hint that perhaps this is
what she wanted is a gentle one, but it is there and it is played so well. I
really can’t understand why people find Clara so annoying when Coleman is this
good. <o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-GB"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-GB">And so, the Doctor is trapped. <o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-GB"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-GB">But before he goes, he gets a nice, short
speech that ends, <b><i>‘You’ll find the universe is a very small place when I’m
angry with you.’</i></b> It’s a terrifying threat delivered so quietly that it feels
even more frightening. Despite what Clara says about the Doctor’s reign of
terror ending at the first crying child Capaldi’s performance makes you wonder
about that. I’ve said before that sometimes the line between the Doctor and the
Master is a fine one indeed.<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-GB"><br /></span></div>
<div class="MsoNormal">
<span lang="EN-GB">So, <b>Face the Raven</b>, is good. It’s like Justin Molotnikov direction and Sarah Dollard’s debut Doctor Who script sparkles. <o:p></o:p></span></div>
<br />PatientCenturionhttp://www.blogger.com/profile/14773954478753900864noreply@blogger.com0tag:blogger.com,1999:blog-7551347725630889312.post-38403801178442046532019-12-17T08:23:00.003+00:002020-04-08T22:05:34.926+01:00Sleep No More<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMbL5geQUW3kzEskRz_LUyE_ZiQfO8TXJ3yb3ThJC-0Yh8YhjMPX0CTiTjJZGXTBdoaFchxBAIS1y731gJow6XtvklNSF-oULj6Vv7uEIVivqMc9q1WaxCR5-uVFglWB7Eo6oXnkxedfk/s1600/Sleep+No+More.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="168" data-original-width="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMbL5geQUW3kzEskRz_LUyE_ZiQfO8TXJ3yb3ThJC-0Yh8YhjMPX0CTiTjJZGXTBdoaFchxBAIS1y731gJow6XtvklNSF-oULj6Vv7uEIVivqMc9q1WaxCR5-uVFglWB7Eo6oXnkxedfk/s1600/Sleep+No+More.jpeg" /></a></div>
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<!--StartFragment-->
<span style="font-family: Calibri, sans-serif;"><span style="font-family: Times, Times New Roman, serif;">I am not sure I have a great deal to say about <b>Sleep No More</b>.</span></span><span style="font-family: Times, Times New Roman, serif;"><span style="font-family: Calibri, sans-serif;"><b><br /></b></span>
</span><br />
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<span style="font-family: Times, Times New Roman, serif;">It is funny how my opinions about a Doctor Who story can
change on re-watch. I thought – on the first watch – that this was the weakest
story of Season Nine. I think it still might be. But that isn’t because it is
not an interesting episode. It just feels unfinished. We’re left without a
solution. The Sandmen won. It seems. Even though The Doctor has escaped the infection
is out there and both Clara and Nagata (Elaine Tan) are infected.<o:p></o:p></span><br />
<span style="font-family: Times, Times New Roman, serif;"><br /></span></div>
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<span style="font-family: Times, Times New Roman, serif;">Written by Mark Gatiss <b>Sleep No More</b> is a base under
siege story that teeters on being properly horrific. A sort of shadow copy of <b>The
Ark in Space</b>, except there’s no Noah clinging onto his humanity despite his
metamorphosis. No, <b>Sleep No More</b> is bleaker than that. This is no
indomitable human race. There is a skulking, greedy scientist who has given up
on his species altogether, Rasmussen (Reece Shearsmith). He could not – or would
not - even save himself, let alone the rest of the human race. <o:p></o:p></span><br />
<span style="font-family: Times, Times New Roman, serif;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif;">The story is set in the 38<sup>th</sup> century. We some
throwaway world-building, which suggests that an Indo-Japanese superstate is
the world’s major superpower and except for Peter Capaldi, Jenna Coleman, Reece
Shearsmith and Bethany Black the rest of the caste are of Asian descent (and I
use Asian here to cover the whole continent, not just Indian/Pakistan.) Even if
they all have British accents of various kinds, like Nakata’s Geordie. There’s
probably a reason for that. I just do not know what it is. <o:p></o:p></span></div>
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<span style="font-family: Times, Times New Roman, serif;"><br /></span>
<span style="font-family: Times, Times New Roman, serif;">I should mention Bethany Black, who plays the ‘grunt’ 474.
‘Grunts’ are grown to be soldiers. Their intelligence is low and their strength
high. Bethany Black is the first openly transgender actor to appear in Doctor
Who. It is a fine performance in a limited part. I wish though – having seen her
in other things – that she had been given a part with a bit more to it. She does get
a heroic death though so what more can one ask for?<o:p></o:p></span><br />
<span style="font-family: Times, Times New Roman, serif;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif;">The guest cast – apart from Reece Shearsmith – all have
limited parts and they seem destined to die in the usual manner among the minor
roles in a base under siege story.<span style="mso-spacerun: yes;"> </span>I do
want to stop though and applaud Paul Courtney-Hyu’s (who is playing Deep Ando)
acting when he’s trying to get into a safe room whilst the computer – which was
apparently reprogrammed at the Christmas Party to require everyone to sing ‘Mr
Sandman’ for access. It manages to be both funny and tense at the same time,
whilst you can feel Paul Courtney-Hyu makes you really feel Deep Ando’s barely
suppressed panic and desperation. <o:p></o:p></span><br />
<span style="font-family: Times, Times New Roman, serif;"><br /></span></div>
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<span style="font-family: Times, Times New Roman, serif;">Reece Shearsmith does a good job of making Rasmussen's cowardice and corruption add up to more than just a bog-standard Doctor Who villain. He feels like the sort of person who right-wing governments would put in charge of an unpleasant project and who would carry out his orders without question. The living embodiment of the banality of evil. </span><br />
<span style="font-family: Times, Times New Roman, serif;"><br /></span></div>
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<span style="font-family: Times, Times New Roman, serif;">Peter Capaldi and Jenna Coleman are up to their usual
standards. I genuinely think Capaldi is the best actor to have played Doctor
Who.* I know there are many rivals to that title, particularly Troughton. Yet I
am going to stick to my guns on this one. Capaldi’s Doctor is my favorite
Doctor. Tom Baker will always be MY Doctor because he was my first Doctor and
I grew up watching him. If I’m feeling down, it is always a Tom Baker Doctor
Who story that I’ll reach for. If I’m feeling really down, it will be <b>The
Horns of Nimon</b>.**<o:p></o:p></span><br />
<span style="font-family: Times, Times New Roman, serif;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif;">I digress.<o:p></o:p></span><br />
<span style="font-family: Times, Times New Roman, serif;"><br /></span></div>
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<span style="font-family: Times, Times New Roman, serif;">So, although this is not an amazing story I am a little baffled
about why I disliked it so much on the first watch. The director, Justin
Molotnikov, does good work bring Gatiss’s ideas to life. This does have the
feel of a Classic Doctor Who story made to be cheap filler while other more
ambitious stories surround it.<o:p></o:p></span><br />
<span style="font-family: Times, Times New Roman, serif;"><br /></span></div>
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<span style="font-family: Times, Times New Roman, serif;">Perhaps it is simply the Gatiss desire for a clever pay-off
meant it seems not to have an ending. I am not sure a second episode would have
been justified. It does need something. Perhaps I am being unfair. Perhaps I
should be content to leave loose threads dangling. Not everything has to be
wrapped up in a neat bundle after all. <o:p></o:p></span></div>
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<span style="font-family: Times, Times New Roman, serif;"><br /></span></div>
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<span style="font-family: Times, Times New Roman, serif;">*Yes, I went there. Sue me. <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif;">** So, sue me. Part Two.<o:p></o:p></span></div>
<!--EndFragment--><br />PatientCenturionhttp://www.blogger.com/profile/14773954478753900864noreply@blogger.com0tag:blogger.com,1999:blog-7551347725630889312.post-1505409187809303782019-12-16T08:43:00.001+00:002020-04-08T22:08:36.495+01:00The Zygon Invasion / The Zygon Inversion<!--[if gte mso 9]><xml>
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UnhideWhenUsed="true" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
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<!--StartFragment-->
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><br /></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaPC6_NvOiI4xtd9m5wlYJZCybmvFcTeUH_4wl8n6Bxh7on0H5qq33YKOR_tnXupv02uisSkzhjG4s6_dsRUpOdmSXK6HN4MKW57rlyl0hV8B5q2xziKgDfA0sZieASpn0c3rnnVIl4rg/s1600/The+Zygon+Invasion.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Times, Times New Roman, serif;"><img border="0" data-original-height="293" data-original-width="570" height="164" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaPC6_NvOiI4xtd9m5wlYJZCybmvFcTeUH_4wl8n6Bxh7on0H5qq33YKOR_tnXupv02uisSkzhjG4s6_dsRUpOdmSXK6HN4MKW57rlyl0hV8B5q2xziKgDfA0sZieASpn0c3rnnVIl4rg/s320/The+Zygon+Invasion.jpg" width="320" /></span></a></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif;">This, for me, is a story of two halves. The first episode has its
moments but just seems to annoy the hell out of me for some reason.</span><br />
<span style="font-family: Times, Times New Roman, serif;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Well, for several reasons. <o:p></o:p></span><br />
<span style="font-family: Times, Times New Roman, serif; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Firstly, the Zygon’s additional powers: why? You take a perfectly
good Doctor Who monster and you power it up. Not only can they now copy
people’s body patterns, but they can copy body patterns from people’s memories
and then use their own memories against them. And from a long, long way away too.
That makes them more difficult to kill because the last thing you want to do if
you’re a soldier is to be confronted by something or someone that makes you think about what
you are about to kill. But, why? It shows a distinct lack of faith in your
choice of monster.<o:p></o:p></span><br />
<span style="font-family: Times, Times New Roman, serif; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Secondly, why hire an actress like Rebecca Front and then give her
next to bugger all to do. Oh, and add insult to injury by making her character's exit so pathetic. Exit pursued by barely any character development. <o:p></o:p></span><br />
<span style="font-family: Times, Times New Roman, serif; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Thirdly, why is Clara a virtual superhero? I like Clara a lot, but
she can resist Zygon podding – for want of a better word. Of course, I know the answer
is that if she can’t resist podding then we miss out on some rather wonderful
scenes between Clara and Zygon-Clara aka Bonnie aka Zygella. But why can't other people resist it? Especially those who know what they're up against?<o:p></o:p></span><br />
<span style="font-family: Times, Times New Roman, serif; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Wat The Zygon Invasion/Inversion does though it is to
prove that Jenna Coleman is a bloody good actress. I forget until I re-watch a
Clara story how good she is. So, after all that negativity here’s some
positivity.<o:p></o:p></span><br />
<span style="font-family: Times, Times New Roman, serif; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif;">I like to be positive about my Doctor Who, but I really struggled with The Zygon Invasion. Even as it built up to a fine cliffhanger. I kept wanting to skip through it. Plus, I’m pissed off at the way the killed off Jac (Jaye Griffiths). It’s like they felt someone in UNIT had to die but they didn’t want it to be anyone important. But she died and no one seemed to care. *</span><br />
<span style="font-family: Times, Times New Roman, serif;"><br /></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpCfPn7muA3cSdPXR83hLhXERLU7_T0ulN5AbLTgxgEVisYZomBO32iawsVcF6LiAmA7INrF5FRphFiIxCsOgoY7EQdzMdHE05SV72HcuJEgWbS_Q_oGWdEU2DZqBwvV_PWm5wL51ct5A/s1600/The+Zygon+Inversion.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Times, Times New Roman, serif;"><img border="0" data-original-height="720" data-original-width="1280" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpCfPn7muA3cSdPXR83hLhXERLU7_T0ulN5AbLTgxgEVisYZomBO32iawsVcF6LiAmA7INrF5FRphFiIxCsOgoY7EQdzMdHE05SV72HcuJEgWbS_Q_oGWdEU2DZqBwvV_PWm5wL51ct5A/s320/The+Zygon+Inversion.jpg" width="320" /></span></a></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif;">Which brings me on to something else: forgiveness. Forgiveness is
a strong part of The Zygon Inversion. The Doctor’s willingness to forgive
Bonnie for what she’s done is the foundation the return to the peace treaty is
based on. What gives the Doctor that right? Bonnie has killed lots of humans
and Zygons, but the Doctor doesn’t even wipe her memory because he thinks she’s
learned her lesson because she’s gone a bit Clara? I love the Doctor’s speech
in The Zygon Inversion, but I’d like to see his point of view challenged a bit
more and not by Zygella but by Kate.</span><br />
<span style="font-family: Times, Times New Roman, serif;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Kate has lost soldiers and Jac – who I assume is a friend of sorts
as well as a colleague. That’s not counting everyone else who died at Zygella’s
hands, but Kate gives in first to the Doctor’s blandishments and this subject
barely gets a mention. <o:p></o:p></span><br />
<span style="font-family: Times, Times New Roman, serif; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif;">Like the Thirteenth Doctor’s outright refusal to kill Tim Shaw –
I’m jumping ahead here – I want to hear someone say, ‘Hang on, what gives you
that right. What price will we pay for not killing him.’ And The Doctor's willingness to
forgive to the degree that Zygella goes from wanting war to becoming the new
Osgood is miraculous. But perhaps that’s as much to do with Osgood trusting her
as anything else, but still. That’s a leap in trust I’m not sure I’d be willing
to make. The Doctor is obviously right when it comes to forgiveness being the
foundation of peace, which is a lesson humanity seems keen not to ever learn.
We prefer peace built on punishment. True forgiveness is hard, which is why I’d
like the Doctor to get challenged about it more thoroughly. Here is the Doctor in genuine Jesus mode. </span><br />
<span style="font-family: Times, Times New Roman, serif;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">About Osgood: Ingrid Oliver is brilliant. The whole idea that she
is unwilling to reveal whether she is Zygon or Human because she is the core
part of how peace is kept. The Osgood Box is rather clever too. Your
prize is not quite the prize you think it is. She who wins shall lose to steal a quote from elsewhere. <o:p></o:p></span><br />
<span style="font-family: Times, Times New Roman, serif; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif;"><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Yes, the Doctor’s whole speech – and Capaldi’s performance – is
brilliant. I’m a particular sucker for the moment he says, ‘</span><span style="background: white; color: #222222; line-height: 107%;">And do you know
what you do with all that pain? Shall I tell you where you put it? You hold it
tight… till it burns your hand, and you say this: No one else will ever have to
live like this! No one else will have to feel this pain! Not on my watch!’
That, more than anything else, seems to be the perfect explanation for the
Doctor’s ‘mission’. <o:p></o:p></span></span><br />
<span style="font-family: Times, Times New Roman, serif;"><span style="background: white; color: #222222; line-height: 107%;"><br /></span></span></div>
<div class="MsoNormal">
<span style="background: white; color: #222222; font-family: Times, Times New Roman, serif; line-height: 107%;">I’ve
rambled on a lot about the bees that this story released in my bonnet, rather
than giving a full review, which is what these blogs are about really. Doctor
Who is a television show that has had a lot written about it so if what you want is just a
breakdown of the storyline then they are easy enough to find. I write these
blogs because I love Doctor Who and I like to work out what the hell it is
about each story that I like and hopefully people find it interesting. <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Times, Times New Roman, serif;">*A perennial Doctor Who problem this. After all, if the
series stopped to properly mourn the death of every passing character then it
would have a whole different set of problems. But sometimes a character that’s
played a pretty major role in a story, who seems to be friends with other major
characters dies and no one mentions it or seems to care. </span><o:p></o:p></div>
<!--EndFragment--><br />PatientCenturionhttp://www.blogger.com/profile/14773954478753900864noreply@blogger.com0