Fortunately - perhaps even miraculously - the audio soundtracks of every Doctor Who story still exist, which means we can at least listen even if we cannot see. Now, in the case of Marco Polo, that feels like a distinct shame as the still photographs seem to show an impressively designed historical epic.
I decided, with missing episodes, to listen to the audio. I could have watched a reconstruction but for some personal reason, I chose not to go that route. I find reconstructions oddly distracting. So this review is based on the BBC audio, with William Russell's narration.
Here is a classic example of an early Doctor Who episode managing to balance adventure - even if it is a gentle adventure - and education. Running parallel to the overall educational aspects of meeting with the Marco Polo upon his journey through Cathay are a couple of little lectures: on how condensation is formed and there's Ian's clunking teacher moment after Ping-Cho's tale of Al-adin. The most important thing is that none of this gets in the way of the actual story, which basically revolves around Marco Polo claiming the TARDIS as a bribe for Kublai Khan in an attempt to get back to Venice. The Doctor and crew spend more of the tale trying to escape whilst Tegana (Darren Nesbitt) a Mongol war-lord tries to play-off the travellers and Marco Polo for reasons of his own.
The main guest cast is resolutely excellent. Mark Eden as Marco Polo manages to do a fine job of making Polo seem like a real human. Trying not to be too much of a bad guy, when dealing with the TARDIS crew, even when the Doctor is at his most belligerent and patronizing. There's a lot of First Doctor grumpiness throughout and a magnificently bizarre moment at the end of the first episode when the Doctor's response to Polo taking the TARDIS is a sort of mad giggling. As if he really can't take it all in.
Eden gets to narrate some of Marco Polo's diary too, which has the odd effect of making this story almost as much an 'Adventure of Marco Polo' as a Doctor Who story. Indeed you might argue that a better title for this story might be 'The Dilemma Of Marco Polo'. I like the way William Russell and Mark Eden build up a friendship between Ian and Marco Polo even as they argue. There's a lovely line from Marco Polo where he says to Ian, that he doesn't care why Ian lies but that he is capable of lying. The implication being that he can't entirely trust any of Ian's explanations.
Derren Nesbitt is excellent as Tegana. He's the pretty obvious bad guy but has a certain clever deviousness that enables him to play the TARDIS crew off against Marco Polo. It keeps things cooking nicely.
Ping-Cho is played by Zienia Merton (who is half-Burmese.) She is marvellous too, especially when she gets to tell her story, which is probably the longest single speech anyone in the series has had to this point. Her relationship with Susan is really nicely played too and it is nice for Susan to get a person to interact with who is age appropriate. She must get so bored hanging out with the Doctor, Ian and Barbara.
There's also a nice performance by Martin Miller as Kublai Khan, which brings up a point about how many of the alleged Asian characters were played by white British actors in 'yellowface'. The pictures seem to hint at make-up but it is hard to tell how far down The Talons of Weng-Chiang route they went. It doesn't get the stick for this that Talons does, but I suspect that is because it is missing from the archive. If it were to be rediscovered there would have to be some reckoning with this issue.
The Kublai Khan - Doctor scenes are a joy to watch. Another small highlight in a story full of highlights.
This is definitely worth listening to if you get a chance but it is certainly high up on the list of stories I'd like to see found. The combination of historical adventure and excellent performances makes for a brilliant story. How many people will ever get to hear it though is moot?
The problem with doing these blogs as 'stream of consciousness' is that you often forgot to mention stuff that actually you really want to mention until it is too late. One of those is sound. Listening to this as audio I was really impressed with both the music and the sound design. Particularly during the sand storm when the shrieking wind sounds genuinely terrifying. It makes me want this story found so much. I want to see how they did the sand storm in the studio. I know it might end up being massively disappointing but I want to see it. And I want to see the Cave of Three Hundred Eyes. And the court of Kublai Khan in Peking.
Here's hoping someone, somewhere has got their mitts on a copy.
The problem with doing these blogs as 'stream of consciousness' is that you often forgot to mention stuff that actually you really want to mention until it is too late. One of those is sound. Listening to this as audio I was really impressed with both the music and the sound design. Particularly during the sand storm when the shrieking wind sounds genuinely terrifying. It makes me want this story found so much. I want to see how they did the sand storm in the studio. I know it might end up being massively disappointing but I want to see it. And I want to see the Cave of Three Hundred Eyes. And the court of Kublai Khan in Peking.
Here's hoping someone, somewhere has got their mitts on a copy.
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