--> I am not sure I have a great deal to say about Sleep No More.
It is funny how my opinions about a Doctor Who story can
change on re-watch. I thought – on the first watch – that this was the weakest
story of Season Nine. I think it still might be. But that isn’t because it is
not an interesting episode. It just feels unfinished. We’re left without a
solution. The Sandmen won. It seems. Even though The Doctor has escaped the infection
is out there and both Clara and Nagata (Elaine Tan) are infected.
Written by Mark Gatiss Sleep No More is a base under
siege story that teeters on being properly horrific. A sort of shadow copy of The
Ark in Space, except there’s no Noah clinging onto his humanity despite his
metamorphosis. No, Sleep No More is bleaker than that. This is no
indomitable human race. There is a skulking, greedy scientist who has given up
on his species altogether, Rasmussen (Reece Shearsmith). He could not – or would
not - even save himself, let alone the rest of the human race.
The story is set in the 38th century. We some
throwaway world-building, which suggests that an Indo-Japanese superstate is
the world’s major superpower and except for Peter Capaldi, Jenna Coleman, Reece
Shearsmith and Bethany Black the rest of the caste are of Asian descent (and I
use Asian here to cover the whole continent, not just Indian/Pakistan.) Even if
they all have British accents of various kinds, like Nakata’s Geordie. There’s
probably a reason for that. I just do not know what it is.
I should mention Bethany Black, who plays the ‘grunt’ 474. ‘Grunts’ are grown to be soldiers. Their intelligence is low and their strength high. Bethany Black is the first openly transgender actor to appear in Doctor Who. It is a fine performance in a limited part. I wish though – having seen her in other things – that she had been given a part with a bit more to it. She does get a heroic death though so what more can one ask for?
The guest cast – apart from Reece Shearsmith – all have
limited parts and they seem destined to die in the usual manner among the minor
roles in a base under siege story. I do
want to stop though and applaud Paul Courtney-Hyu’s (who is playing Deep Ando)
acting when he’s trying to get into a safe room whilst the computer – which was
apparently reprogrammed at the Christmas Party to require everyone to sing ‘Mr
Sandman’ for access. It manages to be both funny and tense at the same time,
whilst you can feel Paul Courtney-Hyu makes you really feel Deep Ando’s barely
suppressed panic and desperation.
Reece Shearsmith does a good job of making Rasmussen's cowardice and corruption add up to more than just a bog-standard Doctor Who villain. He feels like the sort of person who right-wing governments would put in charge of an unpleasant project and who would carry out his orders without question. The living embodiment of the banality of evil.
Peter Capaldi and Jenna Coleman are up to their usual
standards. I genuinely think Capaldi is the best actor to have played Doctor
Who.* I know there are many rivals to that title, particularly Troughton. Yet I
am going to stick to my guns on this one. Capaldi’s Doctor is my favorite
Doctor. Tom Baker will always be MY Doctor because he was my first Doctor and
I grew up watching him. If I’m feeling down, it is always a Tom Baker Doctor
Who story that I’ll reach for. If I’m feeling really down, it will be The
Horns of Nimon.**
I digress.
So, although this is not an amazing story I am a little baffled
about why I disliked it so much on the first watch. The director, Justin
Molotnikov, does good work bring Gatiss’s ideas to life. This does have the
feel of a Classic Doctor Who story made to be cheap filler while other more
ambitious stories surround it.
Perhaps it is simply the Gatiss desire for a clever pay-off
meant it seems not to have an ending. I am not sure a second episode would have
been justified. It does need something. Perhaps I am being unfair. Perhaps I
should be content to leave loose threads dangling. Not everything has to be
wrapped up in a neat bundle after all.
*Yes, I went there. Sue me.
** So, sue me. Part Two.
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