Begun as a story by story blog of my Journey Through the Whoniverse this is a Doctor Who review blog. If you haven't seen any of the stories then beware the dreaded SPOILERS. If you want detailed reviews this ain't the place. These are more spur of the moment instant judgements focusing on what gets my attention. I hope you like it. PS I am currently crowdfunding a Doctor Who book. You can find more about it here - https://unbound.com/books/time-and-space/
Tuesday, August 14, 2012
Terra Firma
I'm back. And I'm more powerful than ever before!!! (Manic, evil laughter)
So are The Doctor, Charley, and C'rizz. Back in 'our' universe and walking smack bang into The Daleks and Davros. Not the best of welcomes but this is The Doctor and if there's trouble to be found, the Doctor will find it.
This is excellent stuff. The dialogue sparkles, particularly the scenes between Davros and the Doctor, which seem quite playful at times but there's an undercurrent of menace there at all times. This Davros feels more like The Revelation of the Daleks Davros with a broader emotional range and a sense of humour. There are one or two moments here where I found myself feeling sorry for Davros, which takes some doing. It doesn't last long but here is a three dimensional Davros and much kudos to Terry Malloy for his performance, especially as Davros is a person with serious problems here. Malloy manages to portray Davros at his most gigglingly insane - and the laugh is horribly off-beam - and at his most piteous and tragic without making him seem just another villain. It's exceptional and it brings out the best in McGann too.
Their discussions range over issues and ideas. There's a nice moment where McGann's Doctor squishes the Fourth Doctor's well-known Genesis of the Daleks philosophical concerns with the words: "Do I have the right yadiyadiyah". They're evenly matched and even as the full scope of Davros's plan emerges the Doctor manages to resist the temptations he is offered. Davros wants revenge and has gone to exceptional lengths to get it.
[What follows may be considered a SPOILER but as this has been out since August 2005 I think I can get away with it].
The saddest companion departure in Doctor Who - for me - has always been Jamie and Zoe's departure at the end of The War Games. Doomed to forget their time with the Doctor they move on and Zoe's last line is heartbreaking. In Terra Firma though we get something worse in Gemma's fate. Her time traveling with the Doctor wiped from his mind by Davros, turned into a Dalek agent and then...well...it's a bloody tragedy. So, it doesn't have the emotional impact of Jamie and Zoe's departure but it does pack a punch of its own.
Yes, clever little Big Finish introduces two companions who traveled with the Eighth Doctor who we've never seen or heard of because Davros got to them and the Doctor, Gemma (Lizzie Hopley) and Samson (Lee Ingleby). There's also their Folkestone based partying mother, Harriet (Played with panache by the wonderful - if you like Spaced - Julia Deakin). Folkestone is the only bit of the Earth that the Daleks haven't got around to exterminating and converting for no obvious reason (but which does get explained nicely later on). The survivors are partying away as if making the best of a bad lot.
It's a typically convoluted Doctor Who villain plan. One even the Daleks scoff at towards the end when they're getting a little uppity. Why not just kill him? The question that must be asked over and over again. Davros's plan is a magnificently baroque attempt to not just get revenge on the Doctor but to break him. Completely. There are so many different elements and so much time spent that it was bound to go wrong somewhere. Something a bit simpler next time. (It does have a certain fellow feeling with The Stolen Earth-Journey's End if you ask me but once more perhaps I'm putting 2 + 2 together to get 2212.)
The acting is top notch. I've already mentioned Malloy, McGann, and Deakin but Lee Ingleby does sterling work as the confused and virtually broken Samson; Lizzie Hopley makes you like Gemma a lot in the short time you get to know her, which makes everything worse; India Fisher makes Charley sparkle as is her usual wont and Conrad Westmaas brings a darker side to C'rizz than expected.
I should also mark one of the great short but sharp lines in Big Finish so far: "And then America went...silent." It's like "All my pretty ones" in Macbeth. A short line that conveys so much. (How's that for a pretentious comparison then people of the interweb).
If nothing else though you should listen to this for a masterclass in Davros-Doctor dialogue.
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